Alix read this letter rather quickly. It bored her. It concerned the things she least preferred to hear about. That was, of course, the worst of letters from the front. Life at Wood End, as at other homes, was full of letters from the front. They seemed to Alix like bullets and bits of shrapnel crashing into her world, with their various tunes. She might, from her nervous frown, have been afraid of 'stopping one.' She twisted up the letter into a hard ball with her thin, double-jointed fingers, as she stared, frowning, at a painting on the wall. The painting was of a grey-green pond, floored with a thin, weedy scum. A hole-riddled, battered old tin rode in the middle of it; reeds stood very quietly round; a broken boot was half sunk in the mud among them. Over it all brooded and slept a heavy June noon. It was well painted; Alix thought it the best thing Basil Doye had ever done. They had spent an afternoon by the pond in June 1914; Alix remembered it vividly--the sleepy, brooding silence, the heavy fragrance of the hawthorn, the scum-green pond, the tin and the boot, the suggestion of haunting that they had talked of at the time and that Basil had got rather successfully into his picture afterwards. Those were curious days, those old days before August 1914; or rather it was the days ever since that were curious and like a nightmare. Before that life was of a reality, a sanity, an enduringness, a beauty. It still was, only it was choked and confused by the unspeakable things that every one thought mattered so much, but which were really evil dreams, to be thrown off impatiently. Underneath them all the time the real things, the enduring things--green ponds, music, moonlight, loveliness--ran like a choked stream....

Alix read her other letter, which was from her young brother Paul, and also written in a trench. The chief thing she thought about this was that Paul's handwriting was even worse than usual. He wrote in pencil on a very small piece of paper, and scrawled up and down wildly. He might have been twelve instead of eighteen and a half. Paul was rather a brilliant boy. When the war broke out he had been a distinguished head of his school, and had just obtained a particularly satisfactory Oxford scholarship. His letters, since he went to the front in March, had been increasingly poor in quality and quantity. It made Alix angry that he should be out there. She thought it no place for children, and, as Paul's elder by nearly seven years, she knew all about his nerves.

Non-combatants and Others — Part 6