"Hand in My Pocket" is a song by Canadian recording artist and songwriter Alanis Morissette from her third studio album, Jagged Little Pill (1995). The song was written by Morissette and Glen Ballard and was released as the second single from the album on October 16, 1995, five months after the album release. The song received generally favorable reviews from music critics, who applauded Morissette's songwriting.
"Hand in My Pocket" also received substantial success through radio airplay in the US. The song became Morissette's second number-one hit on the US Billboard Modern Rock Tracks chart. The song also reached the top 10 in New Zealand and Canada, where it was her first number-one single. An accompanying music video was released for the single, featuring Morissette at a festival, driving her car in black and white form, which also received positive reviews.
Background
In 1991, MCA Records Canada released Morissette's debut studio album Alanis, which went Platinum in Canada. This was followed by her second album, Now Is the Time, but it was a commercial failure, selling only a little more than half the copies of her first album. With her two-album deal with MCA Records Canada complete, Morissette was left without a major label contract. In 1993, Morissette's publisher Leeds Levy at MCA Music Publishing introduced her to manager Scott Welch. Welch told HitQuarters he was impressed by her "spectacular voice", her character and her lyrics. At the time she was still living with her parents. Together they decided it would be best for her career to move to Toronto and start writing with other people.
After graduating from high school, Morissette moved from Ottawa to Toronto. Her publisher funded part of her development and when she met producer and songwriter Glen Ballard, he believed in her talent enough to let her use his studio. The two wrote and recorded Morissette's first internationally released album, Jagged Little Pill, and by early 1995, she had signed a deal with Maverick Records. According to Welch, every label they had approached had passed on Morissette apart from Maverick.
Writing and composition
"Hand in My Pocket" was written by Morissette and Glen Ballard. Ballard met Morissette on March 8, 1994, after his publishing company matched them up. According to Ballard, the connection was "instant", and within 30 minutes of meeting each other they had begun experimenting with different sounds in Ballard's home studio in San Fernando Valley, California. Ballard also declared to Rolling Stone that, "I just connected with her as a person, and, almost parenthetically, it was like 'Wow, you're 19?' She was so intelligent and ready to take a chance on doing something that might have no commercial application. Although there was some question about what she wanted to do musically, she knew what she didn't want to do, which was anything that wasn't authentic and from her heart."
The song is a mainstream rock song. The chorus of "Hand in My Pocket" uses a poetry technique, "rhyme juxtaposition", as its primary lyrical structure, as exemplified by the off-set coupling of the first and second stanzas of each chorus. In the first chorus for example, "fine, fine, fine" is coupled with "a high five", when it should, according to traditional rhyming schemes, be instead set against the "a peace sign" which closes the third chorus, and which is in turn, coupled with a first line ending with the phrase, "a cigarette", which is a clear rhyme with the end of the second chorus: "out just yet". Morissette does not carry the scheme consistently throughout the song (there are, for instance, no rhymes for "hailing a taxicab" or "playing the piano").
"Hand in My Pocket" is written in the key of G major and moves in common time at a tempo of 92 beats per minute. Morissette's vocals span from G3 to C5 in the song.
Critical reception
While reviewing Jagged Little Pill, AllMusic dubbed "Hand in My Pocket" an album highlight. Steve Baltin from Cash Box described it as "enticing", noting that it includes "a well-placed harmonica solo from Morissette herself." British magazine Music Week rated the song four out of five, adding, "The second single from the abrasive and rampantly successful Alanis sees her Marianne Faithfull-circa-Wydja Do It attitude coupled with pop metal guitar and loping bass for maximum effect."