The favorite of tourists, artists, and antiquaries, it can well dispense with anything like an accurate description from a traveller who went thither, not to study, but to muse; so, putting in a plea, beforehand, for possible failures in observation and memory, I propose to myself nothing more than a re-indulgence of the reverie which took possession of me on my visit to Haddon Hall.
We had spent the middle hours of the day at Chatsworth, that palace and museum of modern art, and, with senses bewildered and eyes dazzled by the magnificence of a ducal residence unparalleled, perhaps, in the world for its wealth and culture, we had set off, in the latter part of the afternoon, to view its antipodes. The circumstances and the hour were not inappropriate. Sated with the most perfect display of luxury and taste which the present age can boast, and somewhat weary with the toil of sight-seeing, a six-mile drive, the gradual decline of the summer day, the shadows gathering over the landscape, all acted as a gentle narcotic, and were a fit preparative for our approach to that old, deserted homestead, the first glimpse of which set my fancy roaming, and carried me away into a world of dreams.
Hitherto I had been the contented occupant of an old yellow coach, and had been satisfied with the pace of two jaded post-horses. But, as I crossed the drawbridge and climbed the steep hill which led to the principal gateway, I found myself mounted on rapid wings, and whirling through the centuries. Not that I was rushing on in advance of the age. No,--the wings flapped backwards, they careered disdainfully over and beyond the region of reality; as we flew, the present became merged in the past, the actual gave place to the ideal.
I am approaching a feudal fortress. The deep moat, the turreted walls, the old gray towers, the lattice of my lady's bower, the sentry pacing the battlements, the warder stationed at the gate, the severe exterior of the grim pile, the smoking hospitality that reigns within,--I recognize them all. Much that I have taken on faith from my childhood has already been realized since I touched English shores,--why not this? I climb the steep slope leading to the principal entrance, and knock at the gate. Hark! is not that the sound of an answering horn? Is not that distant rattling the clash of armor on the stones? Do I not hear the voice of the stout baron mustering his retainers to bid me welcome? If so, they are a long time about it,--for I have knocked once, twice, three times, and there is no admittance. It is a severe process, too; for, though the original gate, which may have been an iron portcullis for aught I know, has given place to rough boards, the latter are not particularly tender of my knuckles, and, though romance is romance, pain is a fact. So I fold my airy wings for the present, and look about me for a big stone to pound with. It is of no use. The old castle is deaf and dumb. It neither hears nor answers. I creep along the edge of a steep bank, pry round a corner of the building, gaze up at the high Gothic windows, but see nothing like a practicable approach, and turn back, discouraged. We take counsel together, I and my party, and at length condescend to the belief that our best hope of obtaining an entrance lies in a modern farm-house, at the foot of the eminence on which the fortress stands. The farm-house is beyond the hail of our voices, but our coachman, who is stationed there with his post-chaise, a witness of our embarrassment, makes an encouraging sign. That the farm-house bears some relation to the manor-house is suggested also by the fact that its garden boasts a yew-tree cut into the form of a peacock, and the book of heraldry says that the crest of the noble Earls of Rutland, who occupied the hall for centuries, includes, among its other belongings, "a peacock, in pride, proper."