March 30, 1666: “To Hales’s, and there sat till almost quite darke upon working my gowne, which I hired to be drawn in: an Indian gown.”

April 11, 1666: “To Hales’s, where there was nothing to be found to be done more to my picture, but the musique, which now pleases me mightily, it being painted true.”

Samuel Pepys and the World He Lived In — Part 124

This picture was bought by Peter Cunningham, at the sale of the Pepys Cockerell collection in 1848, and it was purchased by the trustees of the National Portrait Gallery in 1866. The eyes look at the spectator, and the face is turned three-quarters to the left. The music is Pepys’s own song, “Beauty Retire.”

Samuel Pepys and the World He Lived In — Part 124

“There is a similar picture belonging to Mr. Hawes, of Kensington, which Mr. Scharf, the Keeper of the National Portrait Gallery, thinks is either a replica or a good old copy.”--REV. MYNORS BRIGHT’S edition of the “Diary,” vol. iii. p. 423 (note).

Samuel Pepys and the World He Lived In — Part 124

Walpole mentions Hales in his “Anecdotes of Painting,” and says that he lived in Southampton Street, Bloomsbury, and died there suddenly in 1679.

3. _Sir Peter Lely._ Pepysian Library, Magdalene College, Cambridge.

4. _Sir Godfrey Kneller._ Andrew Pepys Cockerell, Esq. This picture was lent to the First Special Exhibition of National Portraits, 1866, and was numbered 950.

5. _Sir Godfrey Kneller._ The Royal Society.

6. _Sir Godfrey Kneller._ Hall of Magdalene College, Cambridge.

7. A small portrait attributed to _Kneller_, representing a seated figure; with a globe in one corner, and a guitar (or lute) and compasses on a table, and a ship in the distance at sea. Mr. Scharf suggests the possibility of this being the portrait by _Savill_ described above (No. 1), and this suggestion seems highly probable. Mrs. Frederick Pepys Cockerell.

“The picture is beyond praise; but causes admiration in all that see it. Its posture so stately and magnificent, and it hits so naturally your proportion and the noble air of your face, that I remain immovable before it hours together,” &c. T. Hill to Pepys, Lisbon, July 1, 1675.--SMITH’S “Life of Pepys,” vol. i. p. 161.

9. The picture by Verrio at Christ’s Hospital, of James II. on his throne receiving the mathematical pupils of the school, contains a portrait of Pepys. The original drawing for the picture by Verrio is in the possession of Andrew Pepys Cockerell, Esq.