The Wedgwood family were 'throwers' by handicraft, superior artisans long settled at Burslem, in the Staffordshire potteries. Josiah, the youngest of thirteen children, lamed by illness in early life, was turned by this happy accident from his primitive task as a 'thrower' to the more artistic and original work of producing ornamental coloured earthenware. Skilful and indefatigable, of indomitable energy and with great powers of forcing his way in life against all obstacles, young Wedgwood rose rapidly by his own unaided exertions to be a master potter, and a manufacturer of the famous unglazed black porcelain. Those were the darkest days of industrial art and decorative handicraft in modern England. Josiah Wedgwood, by his marked originality and force of character, succeeded in turning the current of national taste, and creating among us a new and distinctly higher type of artistic workmanship. His activity, however, was not confined to his art alone, but found itself a hundred other different outlets in the most varied directions. When his potteries needed enlargement to meet the increased demand, he founded for the hands employed upon his works the model industrial village of Etruria. When Brindley began cutting artificial waterways across the broad face of central England, it was in the great potter that he found his chief ally in promoting the construction of the Grand Trunk Canal. Wedgwood, indeed, was a builder of schools and a maker of roads; a chemist and an artist; a friend of Watt and an employer of Flaxman. In short, like Erasmus Darwin, he possessed that prime essential in the character of genius, an immense underlying stock of energy. And with it there went its best concomitant, the 'infinite capacity for taking pains.' Is it not probable that in their joint descendant, the brilliant but discursive and hazardous genius of Erasmus Darwin was balanced and regulated by soberer qualities inherited directly from the profound industry of the painstaking potter? When later on we find Charles Darwin spending hours in noting the successive movements of the tendrils in a plant, or watching for long years the habits and manners of earthworms in flower-pots, may we not reasonably conjecture that he derived no little share of his extraordinary patience, carefulness, and minuteness of handicraft from his mother's father, Josiah Wedgwood?