Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
Pre-Columbian poetry
There are multiple examples of Aztec poetry written in Nahuatl. Most of these were collected during the early period of the colonization of Mexico by Spanish clergy who involved themselves in an effort to collect firsthand knowledge of all things related to the indigenous civilizations of the newly conquered territory. One of these Spanish Clergy, fray Bernardino de Sahagún, enlisted the help of young Aztecs to interview and record stories, histories, poems and other information from older Aztecs who still remembered the pre-conquered times. Much of the information that was collected by these colonial anthropologists has been lost, but researchers found originals or copies of the original research in libraries around the world.
Colonial era
During the period of conquest and colonization many Hispanic Americans were educated in Spain. The poets of this historical period followed the European trends in literature, including the style of romantic ballads as well as satire. The first Spanish American poets to gain recognition for their work were Spanish settlers with great influence in the New World, including Alonso de Ercilla y Zúñiga (1533–94). He wrote widely renowned poetry praising Spanish conquests.
The first known colonial poet born in the Americas was Dominican nun Leonor de Ovando, born in Santo Domingo in 1544, whose poetic works revolved around religious devotion and love for the divine.
Another great figure in colonial era poetry is the Mexican nun Sor Juana Ines de la Cruz, who wrote many notable works of poetry, prose, and theater in Spanish and other native languages. In her work, she took many feminist standpoints and echoed the beliefs of the Enlightenment ideals emerging in Europe. Consecutively, the Counter-Reformation challenged Sor Juana's work and any poetry or literature seem as promoting concepts of liberty and freedom. After the 1802 Haitian Revolution, circulation of liberal ideas was halted by colonizers. The struggle for independence of the Spanish Colonies saw a literature of defiance of authority and a sense of social injustice that is ever present in Spanish American poetics.
19th century
Poetry of the 18th and 19th centuries saw a shift away from the long-winded ballads of the past, and toward more modern and short forms. The poetry of the 19th century continued with trends of liberty and revolution. Works about the influential fighters and leaders were distributed throughout the newly liberated countries of Latin America, as well as a celebrated new focus on the wonders of American land and its indigenous people. José Martí is an example of a poet-martyr who literally died fighting for the freedom of Cuba. His most famous poem, Yo soy un hombre sincero has entered into popular culture as it has been reproduced hundreds of times into the song "Guantanamera", most recently by Celia Cruz and even the Fugees. Later in the 19th century, the poetry of Latin America continued to shift away from European styles. A distinctive Spanish-American tradition began to emerge with the creation of Modernismo (not to be confused with Modernism).