Remember, therefore, that there is here, between a Carmelite convent and the Place where the executions take place, a poor being whose joy you are,--an innocent joy according to social laws, but a very criminal one if measured by the weight of affection. I take too much, I assure you, and you would not ratify my dreamy conquests if it were possible to tell you my dreams, dreams which I know to be impossible, but which please me so much. To go where no one in the world knows where I am,--to go into your country, to pass before you unknown, to see you, and return here to write and tell you, "You are thus and so!" How many times have I enjoyed this delightful fancy--I, attached by a myriad lilliputian bonds to Paris, I, whose independence is forever being postponed, I, who cannot travel except in thought! It is yours, that thought; but, in mercy and in the name of that affection which I will not characterize because it makes me too happy, tell me that you write to no one in France but me. This is not distrust nor jealousy; although both sentiments prove love, I think that the suspicions they imply are always dishonouring. No, the motive is a sentiment of celestial perfection which ought to be in you and which I inwardly feel there. I know it, but I would fain be sure.

Adieu; pitiless editors, newspapers, etc., are here; time fails me for all I have to do; there is but a single thing for which I can always find time. Will you be kind, charitable, gracious, excellent? You surely know some person who can make a sepia sketch. Send me a faithful copy of the room where you write, where you think, where you are _you_--for, you know well, there are moments when we are more ourselves, when the mask is no longer on us. I am very bold, very indiscreet; but this desire will tell you many things, and, after all, I swear it is very innocent.

Letters to Madame Hanska — Part 21

In the month of May two young Frenchmen who are going to Russia can leave with the person you may indicate, in any town you indicate, the parcel containing André Chénier, my poor "Louis Lambert" and your copy of "Le Médecin de campagne." Write me promptly on this subject. They are two young men who are not inquiring; they will do it as a matter of business. Objects of art are not exposed to the brutalities of the custom-house and you will permit a poor artist to send you a few specimens of art. They are only precious from the species of perfection that artists who love each other give to their work for a brother's sake. At any rate, allow Paris the right to be proud of her worship of art. You will enjoy the gift because none but you and I in the world will know that this book, this copy is the solitary one of its kind. The seal I had engraved upon it is lost. It came to me defaced by rubbing against other letters. You will be very generous to send me an impression inside of your reply.

Letters to Madame Hanska — Part 21