Our hero was in that state when a host of conflicting emotions fight for the mastery. So much had happened in this eventful day. Everything and everybody appeared in a new perspective. Beau Ripple, seen by the firelight of the Travellers' Room, was no longer the exquisite despot of a world in miniature, the impersonal porcelain monarch, the rarest and most valuable piece in an universe of Bric-a-brac. He was in some way connected with the tragedy of his uncle's early life. The sovereign marionette of amber and tortoise-shell, of perfumes and pomades, whom Charles had known hitherto, was only an elegant exterior. Underneath the sattin, it seemed, there lived a man--one Belladine, of whose existence Fashion was ignorant. The well-dressed Attitude called Horace Ripple would be revered long after his decease. His epigrams would be quoted. He would represent a period in the frivolous archives of Curtain Wells, but Belladine whose heart had quickened to something more vital than a pretty measure, Belladine who had known tears and laughter, Belladine the Man would be forgotten. Charles pondered with passionate commiseration the myriad heartaches of poor humanity that were once esteemed worthy of exaggeration until a new intrigue caught the publick tongue, and contemplated regretfully the inevitable and gradual insignificance of all scandal. Truly, it was more consoling to regard Beau Ripple, that inexplicable phenomenon, than try to gain the acquaintance of Mr. William Belladine who had once played an important part in his uncle's life.
The latter, too, was different. He had only existed in Charles' mind as an aversion of childhood, but Charles no longer objected to sleep in the dark--the habit had come to him unconsciously. After all he owed Sir George Repington no grudge; it would be absurd to cherish an animosity that was based on a jejune domestick patriotism. The time had long gone by when he thought his own father the finest gentleman in the world. Yet was not this power of taking so much for granted, this passive acceptance of change and decline, a surrender of his youth? Was he, in fact, already divesting himself of all passionate reality? Charles experienced the despair of the devout man whose faith deserts him. He wrestled with his doubts and suddenly (it seemed a miracle) beheld on the ingle seat a swansdown muff. Youth returned--a harlequin with the supple wand of illusion. He stood once more in peach-coloured velvet coat, staring up to a balcony over whose railing dimpled the most enchanting face in England.