The funeral is never attended by the relations, who are supposed to be too much overwhelmed by grief to appear in public; but the male friends of the deceased accompany the body on foot, carrying lighted torches to the church at which the funeral-service is performed. This ended, it is lowered into the ancestral vault where moulder the remains of many generations. No hearse, or carriages, or mutes, form part of the procession: one or more priests lead the way, bearing a massive crucifix, followed by the _compagnia_ of the parish—an association of laymen who, for pious purposes, always give their presence on similar occasions. They are preceded by the banner of their confraternity, each parish having a different emblem—such as a _Mater Dolorosa_, the Annunciation, or the Descent from the Cross—and a peculiar dress, consisting of a loose robe of scarlet, blue, or yellow. With torches in their hands, and chanting the accustomed _litania de' morti_, they produce an impression not easily forgotten. These are followed by different brotherhoods of monks, of the orders most protected by the deceased; and according to their numbers may be estimated his rank and possessions. Then comes the coffin, borne upon the shoulders of men shrouded in those awe-inspiring peaked cowls, with slits for the eyes, so familiar to us in all pictures of religious ceremonies in Italy: the ends of the richly-embroidered pall are held by the most intimate friends, followed by the rest of the acquaintances; while the whole is closed by a motley crowd of all the beggars in the town—men, women, and children—who always flock to a funeral of distinction, to offer their prayers for the repose of the soul of the departed, and to receive the alms which are invariably accorded them.

Mourning is much less frequently worn than amongst us—in fact, only for the very nearest relations; but, when adopted, it is united to that retirement from the gaieties of society and subdued deportment which should certainly be its accompaniments; hence one never sees in Italy the indecent spectacle of a lady at a ball, resplendent in jet ornaments and black crape, which foreigners remark with astonishment is often witnessed in England. After the death of a parent, it would be considered very indecorous to be seen in any place of amusement until a year has elapsed. I remember hearing a young man censured for dancing at a small party ten months after he had lost his father.

The Englishwoman in Italy — Part 43