Karen Smbatyan () was born on April 21, 1932, in Gyumri, Shirak, Armenia, and passed on December 27, 2008, in Yerevan, the capital city of Armenia, and lived most of his life as an Armenian painter.

Life

Smbatyan was born into an Armenian family in Gyumri. He studied at the State Academy of Fine Arts of Armenia under Panos Terlemezyan. Smbatyan's paintings can be found in multiple galleries internationally, including the National Gallery of Armenia, the Richard Manukean Gallery in Detroit, Michigan, Zimmerli Art Museum in New Brunswick, New Jersey, and in private collections in various countries.

Karen Smbatyan

Abstract

Throughout his life, Smbatyan's art focused on themes of the destiny of Armenian people and his national identity.

Karen Smbatyan

Smbatyan was born in 1932 in Gyumri. He studied at the Panos Terlemezyan College, but quit his studies to join the Soviet army (Estonia, Doko island). While serving in the army, Smbatyan continued to work and create art. Smbatyan's art in the 1950s and 1960s is characterized by authentic representations of objects through nature, life and people, adhering to forms of high realism ("Makuyk" 1954, "The sailor Nikolay Blokhin", 1954, "Ian Paulianki", 1959, portraits).

Karen Smbatyan

From 1966-80, Smbatyan was the editor of "Pioner" and "Tsitsarnak" children's periodicals. During that period, he created the illustrations of "Jelsomino in The Land of Cheaters" and "Jan Polat" folktales by Gianni Rodari and authored the images of the periodicals with demonstrating a new fresh approach in the field. (Grigor Tatevaci, Toros Taronatsi).

Smbatyan's diary entries from the 1970s reveal that he was concerned with the exploration of color and form in his art. ("Shell" 1975, "Amulet", 1977, "Indian jug" 1975).

Smbatyan's art is characterized by vibrant colors and simplicity of composition. ("Varuzhan Vardanyan", 1983 "The portrait of Mshetsi", 1989, "The Garden", 1994, "Autumn", 1999). Smbatyan noted, on his simplistic compositions, "The most luxurious luxury is simplicity," and "The painting is complete only when the unnecessary things are removed".

Quotes

Penetrating and tens, especially by inner clairvoyance characteristic of an individual, he has discovered and reveled-within himself, not from the outside. Other architonic coatings, achieving an apocryphal level where the artist exposes spirited characters and objects, vital in everyone, both indigenous and common to all mankind. Only big artists can see them and show them. On the other hand, the inner world is resuscitated and made viable by the robust power of potential individuality, represented as a whole image due to the brilliance and energy of an artist named Karen Smbatyan, who has acquired the gifts of nature so abundantly. Ilya Kabakov Painter, Moscow 1976

International exhibitions

1974 Bologna, Italy

1975 Poznan, Poland

1976 Izmir, Turkey

1970 Beirut, Lebanon

1970 Paris, France

Personal exhibitions

1966 "Komsomolec" newspaper editorial, Yerevan

1972 Armenian Architects' House, Yerevan

1979 Painter's House, Yerevan

1981 Museum of Modern Art, Yerevan

1981 Vilnius Art Academy

1987 Exhibition to 80th anniversary of martyrdom of Gevorg Chaush, Talin region, Ashnak village 1988 Moscow Lazarian Seminary 1989 "Neringa" Rest House, Palanga 1994 Writer's House, Yerevan 1996 Exhibition or foundation "Tatron" /Theatre/, Yerevan 1997 Heimstetten Art House, Munchen 1998 Exhibition to Bash-Aparan battle. Aparan, 1999 "Beshketuryan" Art Gallery, Los Angeles 2000 Garching Municipal Art Gallery, Munchen 2001 Exhibition of "Sun MicroSystems Firm", Munchen 2002 Painter's House, Yerevan 2004 "Academia" Gallery, Yerevan 2007 National Art Museum, Yerevan 2008 Artists' Union of Armenia

Gallery

References

External links

Official site

Карен Смбатян - Шохакат 2007

КРАСНЫЙ ЦВЕТ ПОСТОЯНСТВА

1932 births

2008 deaths

20th-century Armenian painters

Armenian portrait painters

Soviet painters

People from Gyumri