Love in a Village is a ballad opera in three acts that was composed and arranged by Thomas Arne. A pastiche, the work contains 42 musical numbers of which only five were newly composed works by Arne. The other music is made up of 13 pieces borrowed from Arne's earlier stage works, a new overture was by C. F. Abel, and 23 songs by other composers, including Bishop, Boyce, Geminiani, Giordani, and Galuppi, albeit with new texts. The English libretto, by Isaac Bickerstaffe, is based on Charles Johnson’s 1729 play The Village Opera. The opera premiered at the Royal Opera, Covent Garden in London on 8 December 1762. One of its best known songs is the Miller of Dee.

History

Love in a Village was received enthusiastically at its premiere and became one of Arne's more popular operas, enjoying 40 performances in its first season alone. The work's success began a vogue for pastiche opera in England that lasted well into the 19th century. The opera has subsequently been revived numerous times, both during Arne's lifetime and after. A notable revival occurred at the Lyric Hammersmith in London in 1928, using an adaptation by Alfred Reynolds. The opera was first published in 1763, but without recitative or librettos. A copy of the full score, which is partly in the composer’s hand, also survives and is in the collection of the library at the Royal College of Music. Most of the music displays a simple and lyrical nature with the exception of the music for Rosetta. Rosetta, a role written for Arne's lover Charlotte Brent, requires a gifted coloratura soprano, particularly for the aria "The traveller benighted" which has several challenging passages containing wide vocal leaps, fast runs, and trills.

Love in a Village

Roles

Synopsis

The heroine of the story, Rosetta, is fearful of her impending marriage to a man she has never met. Worried that she will be miserable, she runs away from home and acquires a position as a chambermaid in the home of Justice Woodcock. Meanwhile, the son of Sir William Meadows, Thomas, is in an equivalent situation. He also avoids his impending marriage by posing as a gardener in the Justice's household. Rosetta and Thomas meet and soon fall in love. However, both of their families are determined to make them marry their intended future spouses. Just as all seems hopeless, Sir William arrives and reveals that the young lovers have in fact been betrothed to each other the whole time.

Love in a Village

Arias

Act 1

Overture

Hope, thou nurse of young desire [duet]

Whence can you inherit

My heart’s my own

When once love’s subtle

O had I been by fate decreed

Gentle youth, ah! Tell me why

Still in hopes to get the better

There was a jolly miller

Let gay ones and great

The honest heart whose thoughts are clear

Well, well, say no more

Cupid God of soft persuasion

How happy were my days till now

I pray ye gentles list to me [“a medley”]

Act 2

We women like poor Indians trade

Think my fairest how delay

Believe me dear aunt

When I follow’d a lass

Let rakes and libertines resigned [duet]

How blest the maid whose bosom

In vain I ev’ry art essay

Begone, I agree [duet]

Oh how shall I in language weak

Young I am and sore afraid

Oons! Neighbour ne’er blush

My Dolly was the fairest thing

Was ever poor fellow so plagued

Cease gay seducers

Since Hodge proves ungrateful

In love should there meet a fond pair

Well, come let us hear [trio]

Act 3

The world is a well furnished table

‘Tis not wealth, it is not birth

The traveller benighted

If ever a fond inclination

A plague of those wenches

How much superior beauty awes

When we see a lover languish

All I with her obtaining [duet]

If ever I’m catched

Go naughty man

Hence with cares, complaints and frowning

Sources

1762 operas

Operas

Ballad operas

Operas by Thomas Arne

Plays by Isaac Bickerstaffe

English-language operas

Opera world premieres at the Theatre Royal, Covent Garden

Love in a Village