Andrew Jackson Milligan Jr. (February 12, 1929 – June 3, 1991) was an American playwright, screenwriter, actor, and filmmaker, whose work includes 27 movies made between 1965 and 1988. He directed productions in Staten Island. Most proud of, fellow Islander, Jeanie Columbo, who appeared in his production of ‘A Dolls House’. In spite of the fact that he directed a number of movies that have become cult favorites with horror movie buffs, he died in abject poverty in 1991 from AIDS and was buried in an unmarked pauper's grave in Los Angeles, California.

Early life

Andrew Jackson Milligan Jr. was born on February 12, 1929, in St. Paul, Minnesota. He was a self-taught filmmaker and was responsible for much of the creative activity on his movies (including cinematography and costume design).

Andy Milligan

Milligan was an "army brat"; his father, Andrew Milligan Sr. (1895–1985), was an officer in the U.S. Army who served in the military for over 50 years (retiring in the mid 1960s holding the rank of colonel). The family frequently moved around the country as a result of this. Milligan's mother, Marie Gladys Hull (1903–1953), was an overweight alcoholic with severe physical and mental health problems who served as an inspiration for some of Milligan's movie characters. Milligan's parents met and married in 1926. He was close to his father, who affectionately called him Junior, but had a troubled relationship with his mother, who was both physically and mentally abusive towards all her children as well as her husband.

Andy Milligan

Milligan had an older half-brother named Harley LeRoy Hull (1924–1996) and a younger sister named Louise Milligan Howe (1931–2021).

Andy Milligan

After finishing high school in 1947, Milligan enlisted in the U.S. Navy, serving for four years. After his honorable discharge in 1951 he settled in New York City, where he acted on stage, and opened a dress shop.

Career

During the late 1950s, Milligan became involved in the nascent off-off-Broadway theater movement where he mounted productions of plays by Lord Dunsany and Jean Genet at the Caffe Cino, a small Greenwich Village coffeehouse that served as a hothouse for rising theater talent like Lanford Wilson, Tom Eyen and John Guare. Milligan also became involved with directing low-key theater productions at the La MaMa Experimental Theatre Club. During this period, he operated and designed for a clothing boutique named Ad Lib and used his dressmaking skills to costume many theatrical productions.

In the early 1960s, Milligan began making movies. He met some of the actors for his early movies at Caffe Cino. His first released movie was a 30-minute black-and-white 16 mm short drama titled Vapors (1965). The movie, set on one Friday evening in the St. Mark's Baths, a gay bathhouse for men, portrays an emotionally awkward and unconsummated meeting between two strangers. Milligan was later employed by producers of exploitation films, particularly William Mishkin, to direct softcore sexploitation and horror features, many featuring actors known from the off-off Broadway theater community.

Most of his early exploitation movie fell into the genre of morality play. Milligan's plays and movies explored topics of transgression and punishment, dysfunctional family relationships, repressed sexuality, homosexuality and physical deformity, and include such titles as Depraved! (1967), The Naked Witch (1967), The Promiscuous Sex (1967), The Degenerates (1967), The Filthy Five (1969), Gutter Trash (1969), The Ghastly Ones (1968), Seeds of Sin (1968), Fleshpot on 42nd Street (1973), The Rats Are Coming! The Werewolves Are Here! (1973), and Guru, the Mad Monk (1970). Most of Milligan's early works are currently considered lost films.

In 1966, Milligan set up his residence in a Victorian-era mansion located in St. George, Staten Island, within a mile walking distance of the Staten Island Ferry. The house soon became what he dubbed "Hollywood Central," where he filmed several of his movies. Milligan wrote, directed, built sets and sewed costumes for nearly all of his movies. His usual "stock company" often was supplemented by Staten Island locals.