The scenes on board the captive yacht are not exactly horse-play. There are too many ladies concerned, and Marryat, in spite of occasional lapses of taste, preferred to write like a gentleman. But if there is no horse-play there is a great deal of what I hope it is permissible to describe as 'lark.' The sour old maid Miss Ossulton, her niece Cecilia, who, if she has not much character, is still a very nice girl, the frisky widow Mrs. Lascelles, make a capital trio. Given a gallant dashing smuggler, who is really a gentleman in disguise, in possession of the yacht, and determined to revenge himself on the owner by taking a little harmless amusement, it follows that lively incidents are to be expected. Marryat did not work the situation out at any length, probably because he felt that the stuff would not bear much handling. If he cut his story short for this reason he was undoubtedly right. It is so difficult as to be quite impossible for the majority of writers to hang just on the border of the outrageously impossible for more than a few pages. While it lasts it is very good fun. The reformation of Pickersgill through the influence of Mrs. Lascelles is quite in Marryat's manner. His heroes, when they need reformation, are commonly brought into the right path by the combined influence of a pretty woman and a round sum of money. Mrs. Lascelles, too, was unquestionably just the woman to marry Pickersgill. Having married an old man to please her parents, and having inherited his money, she had decided both to marry again and to please herself in her second husband. Experience shows that the Mrs. Lascelles of real life not uncommonly fall into the hands of a ruffian or an adventurer. Marryat was not making a study of real life, and he was too fond of his puppets; and besides that would have been another story, which would have been superfluous, considering that Marryat wanted to end this one. So Mrs. Lascelles had her fine dashing seaman, who stood six feet odd in his stockings, and was also a gentleman in disguise. Of course she was happy ever after. One has a haunting suspicion that the story was not only written to fill out the volume, but also to accompany Clarkson Stanfield's three very pretty plates of Plymouth, Portsmouth, and St. Malo. If so, that only proves that when a man is a born storyteller he can write good stories for very humble business reasons.