Then, he heard a movement at his shoulder, and, turning, saw the boy Samson with the moonlight in his eyes, and, besides the moonlight, that sparkle which is the essence of the dreamer's vision. Once more, their glances met and flashed a countersign.
"Hit hain't got many colors in hit," said the boy, slowly, indicating with a sweep of his hand the symphony about them, "but somehow what there is is jest about the right ones. Hit whispers ter a feller, the same as a mammy whispers ter her baby." He paused, then eagerly asked: "Stranger, kin you look at the sky an' the mountings an' hear 'em singin'--with yore eyes?"

The painter felt a thrill of astonishment. It seemed incredible that the boy, whose rude descriptives reflected such poetry of feeling, could be one with the savage young animal who had, two hours before, raised his hand heavenward, and reiterated his oath to do murder in payment of murder.

"Yes," was his slow reply, "every painter must do that. Music and color are two expressions of the same thing--and the thing is Beauty."

The mountain boy made no reply, but his eyes dwelt on the quivering shadows in the water; and Lescott asked cautiously, fearing to wake him from the dreamer to the savage:
"So you are interested in skies and hills and their beauties, too, are you?"
Samson's laugh was half-ashamed, half-defiant.
"Sometimes, stranger," he said, "I 'lows that I hain't much interested in nothin' else."
That there dwelt in the lad something which leaped in response to the clarion call of beauty, Lescott had read in that momentary give and take of their eyes down there in the hollow earlier in the afternoon. But, since then, the painter had seen the other and sterner side, and once more he was puzzled and astonished. Now, he stood anxiously hoping that the boy would permit himself further expression, yet afraid to prompt, lest direct questions bring a withdrawal again into the shell of taciturnity. After a few moments of silence, he slowly turned his head, and glanced at his companion, to find him standing rigidly with his elbows resting on the top palings of the fence. He had thrown his rough hat to the ground, and his face in the pale moonlight was raised. His eyes under the black mane of hair were glowing deeply with a fire of something like exaltation, as he gazed away. It was the expression of one who sees things hidden to the generality; such a light as burns in the eyes of artists and prophets and fanatics, which, to the uncomprehending, seems almost a fire of madness. Samson must have felt Lescott's scrutiny, for he turned with a half-passionate gesture and clenched fists. His face, as he met the glance of the foreigner was sullen, and then, as though in recognition of a brother-spirit, his expression softened, and slowly he began to speak.





