Now what I want to know is, which has the most love for _genuine_ music--he or I?
The fact is, I like to find my music in unexpected, simple ways, where the machinery is not visible, like the Galvanic gyrations of that "leader," for instance. That kind of thing recalls too vividly my old "fa-sol-la" singing-school, where the boys pulled my curls, and gave me candy and misspelt notes.
There is evidently something wanting in my make-up, with regard to "music," when I can _cry_ at the singing of the following simple verses, by the whole congregation in church, and do the opposite at the scientific performance of "The Messiah." Listen to the verses:
"Pass me not, O gentle Saviour, Hear my humble cry; While on others Thou art smiling, Do not pass me by. Saviour, Saviour, Hear my humble cry.
"If I ask Him to receive me, Will he say me Nay? Not till earth and not till heaven Shall have passed away."
We of the city do not appreciate the blessing of closed windows and silence, until budding Spring comes. The terrific war-whoop of the milkman inaugurates the new-born day long before we should otherwise recognize it. Following him is the rag-man, with his handcart, to which six huge jangling, terrific cow-bells are fastened, as an accompaniment to the yet louder yell of "r-a-g-s." Then comes the "S-t-r-a-w-b-e-r-r-y" man, with lungs of leather, splitting your head, as you try to sip your coffee in peace. Close upon his heels, before he has hardly turned the corner, comes the pine-apple man, who tries to outscreech _him_. Then the fish-man, who blows a hideous tin trumpet, loud enough to rouse the Seven Sleepers, and discordant enough to set all your nerves jangling, if they had not already been taxed to the utmost. You jump up in a frenzy to close the window, only to see that the fish-man has stopped his abominable cart at the door of a neighbor, who keeps a carriage and livery, and is therefore fond of cheap, stale fish; where he is deliberately cleaning and splitting them, and throwing the refuse matter in the street, as a bouquet for your nostrils during the warm day. Then comes a procession of heavy carts, the drivers of which are lashing their skeleton nags to fury, with loud cracks of their whips, to see which shall win in the race, while every one of your window-panes shakes as if an earthquake were in progress, as they rumble over the stones. By this time comes a great mob of boys, with vigorous lungs, tossing each other's caps in the air, and screeching with a power perfectly inexplicable at only six, ten, or twelve years of practice. Indeed, the smaller the boy the bigger is his war-whoop, as a general rule. Then comes a wheezy organ-grinder, who, encouraged by the fatal show of plants in your windows, imagines you to be romantically fond of "The Morning Star," and immediately begins, in verse, to describe how he "feels." Nothing short of fifty cents will purchase his absence, which encouragement is followed by some miserable little rats of boys, anxious to succeed him on the violin and harp.