In the twelfth century, some terms were borrowed from the philosophy of Aristotle; and toward the sixteenth century, Greek names were found for the parts of the human body, and for its maladies and their remedies. Although the language was then enriched with Greek, and aided from the time of Charles VIII. with considerable accessions from the Italian, already arrived at perfection, it did not acquire a regular form. Francis I. abolished the custom of pleading and of judging in Latin, which proved the barbarism of a language which could not be used in public proceedings--a pernicious custom to the natives, whose fortunes were regulated in a language which they could not understand. It then became necessary to cultivate the French, but the language was neither noble nor regular, and its syntax was altogether capricious. The genius of its conversation being turned towards pleasantry, the language became fertile in smart and lively expressions, but exceedingly barren in dignified and harmonious phrases; whence it arises that in the dictionaries of rhymes, twenty suitable words are found for comic poetry for one of poetry of a more elevated nature. This was the cause that Marot never succeeded in the serious style, and that Amyot was unable to give a version of the elegant simplicity of Plutarch.
The French tongue acquired strength from the pen of Montaigne, but still wanted elevation and harmony. Ronsard injured the language by introducing into French poetry the Greek compounds, derivable from the physicians. Malherbe partly repaired the fault of Ronsard. It became more lofty and harmonious by the establishment of the French Academy, and finally in the age of Louis XIV. acquired the perfection by which it is now distinguished.
The genius of the French language--for every language has its genius--is clearness and order. This genius consists in the facility which a language possesses of expressing itself more or less happily, and of employing or rejecting the familiar terms of other languages. The French tongue having no declensions, and being aided by articles, cannot adopt the inversions of the Greek and the Latin; the words are necessarily arranged agreeably to the course of the ideas. We can only say in one way, "_Plancus a pris soin des affaires de Cæsar_"; but this phrase in Latin, "_Res Cæsaris, Plancus diligenter curavit_" may be arranged in a hundred and twenty different forms without injuring the sense or rules of the language. The auxiliary verbs, which lengthen and weaken phrases in the modern tongues, render that of France still less adapted to the lapidary style. Its auxiliary verbs, its pronouns, its articles, its deficiency of declinable participles, and, lastly, its uniformity of position, preclude the exhibition of much enthusiasm in poetry; it possesses fewer capabilities of this nature than the Italian and the English; but this constraint and slavery render it more proper for tragedy and comedy than any language in Europe. The natural order in which the French people are obliged to express their thoughts and construct their phrases, infuses into their speech a facility and amenity which please everybody; and the genius of the nation suiting with the genius of the language, has produced a greater number of books agreeably written than are to be found among any other people.