These were generous words, and they were supported by deeds. But Doria willed the supremacy of Spain, and he triumphed. Then Genoa, in the siege of Florence, favoured the enemies of Italy; even threw a lance at Siena; extinguished in blood the revolt of Naples, and, with the arm of Doria, strangled everywhere the voice of national liberty.

From that moment the robust vigour of the Republic began to decrease, and the shadows of old age fell on her. The lifeless forms of the court of Spain took the place of our civil strifes and our heroic achievements abroad.

The Conspiracy of Gianluigi Fieschi, — Part 44

Doria, though naturally disposed to temperate and modest habits of life, gradually developed the pomp and state of a prince. He lived in Fassolo, in the houses once given to Pietro Fregoso for his brave deeds in Cyprus (1373). Doria called from every part of Italy the most famous architects to embellish this palace. The sculptures of Montorsoli and of Giovanni and Silvio Corsini da Fiesole, the paintings of Pierin del Vaga, Pordenone, Gerolamo da Trevigi, Giulio Romano and Beccafumi rendered this residence famous throughout Italy. Here he was surrounded by his own soldiers, and received, writes Mascardi,[21] not as a simple citizen, but as a proud grandee. The same author ascribes to this luxury of life the origin of the conspiracy of Fieschi; and he approves ostracism by republics of citizens who affect the manners of princes.

The Conspiracy of Gianluigi Fieschi, — Part 44

These mimicries of royalty gave general dissatisfaction; but the selection of Gianettino di Tommaso as his adopted son and his successor in the dignity of Admiral, was even more unpopular.

The Conspiracy of Gianluigi Fieschi, — Part 44

We find notices of this young man which represent him to have once, on account of the slender means of his father, kept a shop for the sale of oil. Afterwards he entered the service of Bernardo Invrea, a silk-weaver, and remained with him until, being pursued by the sheriff for some offence, he found it necessary to seek safety on board the galleys of Andrea, to whom he was allied by blood.

Taking up from necessity the profession of arms, Gianettino soon acquired a considerable name for warlike feats marked by enterprise and audacity. He possessed an intrepidity rather singular than rare. He soon became haughty and despotic putting on airs fitter for a Castilian than a Genoese, and decorating himself with a coat of arms as though supreme authority were already in his hands. The prince, instead of correcting these excesses, permitted the arrogant youth to lord it over the plebeians and to indulge his wild caprices at pleasure.