But the two tendencies mutually implied in this rudimentary form became dissociated as they grew. Hence the world of plants with its fixity and insensibility, hence the animals with their mobility and consciousness. There is no need, in order to explain this dividing into two, to bring in any mysterious force. It is enough to point out that the living being leans naturally toward what is most convenient to it, and that vegetables and animals have chosen two different kinds of convenience in the way of procuring the carbon and nitrogen they need. Vegetables continually and mechanically draw these elements from an environment that continually provides it. Animals, by action that is discontinuous, concentrated in certain moments, and conscious, go to find these bodies in organisms that have already fixed them. They are two different ways of being industrious, or perhaps we may prefer to say, of being idle. For this very reason we doubt whether nervous elements, however rudimentary, will ever be found in the plant. What corresponds in it to the directing will of the animal is, we believe, the direction in which it bends the energy of the solar radiation when it uses it to break the connection of the carbon with the oxygen in carbonic acid. What corresponds in it to the sensibility of the animal is the impressionability, quite of its kind, of its chlorophyl light. Now, a nervous system being pre-eminently a mechanism which serves as intermediary between sensations and volitions, the true "nervous system" of the plant seems to be the mechanism or rather chemicism _sui generis_ which serves as intermediary between the impressionability of its chlorophyl to light and the producing of starch: which amounts to saying that the plant can have no nervous elements, and that _the same impetus that has led the animal to give itself nerves and nerve centres must have ended, in the plant, in the chlorophyllian function_.[55]

This first glance over the organized world will enable us to ascertain more precisely what unites the two kingdoms, and also what separates them.

Creative Evolution — Part 75