The Munshi Aziz Bhat Museum of Central Asian And Kargil Trade Artefacts is a family-operated, public museum located in the town of Kargil, in the union territory of Ladakh, India. The museum has on display objects that circulated along the trade routes between Ladakh and Yarkand, as well as other are material relics.

History

The museum has been operational since 2004, owned and maintained by two brothers – Gulzar Hussain Munshi (director) and Ajaz Hussain Munshi (curator) – with assistance from their family members and founding partners International Association for Ladakh Studies. The museum is named after the ancient silk route trader Munshi Aziz Bhat. Objects on display include a variety of artefacts: horse-saddles, tapestries, utensils, coins, old manuscripts and photographs, costumes and jewellery. Though not stated as such, the museum implicitly contributes to the recognition sought for Kargil beyond its current Kashmiri or "Islamic" image in the eye of the common traveler and situates the region in the longue durée of history. The first and only initiative of its kind in the Ladakh region, it is primarily a repository of artifacts associated with the Silk route trade dating back to the 19th century, when Kargil served as a principal trading centre along this passage. Most artefacts displayed in the museum were discovered and retrieved from a rest house Ek Sarai (currently dysfunctional) built in Kargil for traders in 1920 by Munshi Aziz Bhat.

Munshi Aziz Bhat Museum of Central Asian and Kargil Trade Artefacts

Even though local and international interest in the museum's establishment has grown substantially since its conception, the owners claim to face considerable financial difficulties related to its upkeep and expansion. The brothers intend to eventually relinquish personal ownership of the museum and establish a trust fund. This, they hope, will go a long way in insuring the museum against chronic financial difficulties and generating greater interest amongst academicians and tourists.

Munshi Aziz Bhat Museum of Central Asian and Kargil Trade Artefacts

For the time being, they continue to invest in the project in the hope of developing a comprehensive repository of their cultural heritage, the memory of which they claim has faded quickly in the wake of a markedly altered geo-political scenario that consumes Kargil.

Munshi Aziz Bhat Museum of Central Asian and Kargil Trade Artefacts

Artefacts

The museum's collection consists primarily of artefacts unearthed at the rest house (Sarai) built by Munshi Aziz Bhat, as also donations by townsfolk and heirs of erstwhile merchants and royalty. Even though the number of artefacts in the museum's possession has grown steadily over the past eight years – it currently houses over 3500 artefacts including a range of mercantile items associated with trade along the Silk Route – only 1000 are on display due to lack of space.

Some of the choicest artefacts picked for exhibition in Delhi included hookah pipes from Yarkand, rugs from Kashgar, fabrics (dyed and raw silk from Khotan in China), natural dyes, costumes, jewelry, coins, shoes, utensils and ammunition. Apart from these, the museum incorporates mercantile items from the late 19th and early 18th centuries like leather skins, coarse cotton cloth, carpets from Central Asia, British horse seats and saddles, buttons from Italy and items from the factory of the Nizam of Hyderabad.

Recently, the museum has acquired handwritten Qurans and Tibetan manuscripts which the owners claim to be around 600–700 years old. The museum has also gathered important documents and artefacts of the Purkis tribe, a major tribe of the Ladakh region. Kacho Ahmad Khan, the great-grandson of the king of ‘Sot’ Kargil and Kacho Sikander Khan, the descendants of the King of Shar Chiktan recently contributed to the list of artefacts by donating old guns, a small cannon, a sword, wooden bowls, a granite stone pot as well as warrior armor. The owners have also obtained their consent to excavate and explore their ancestral fort in Chiktan to look for more artefacts. Currently, work is underway to comprehensively catalog artefacts in their possession.