“So the servants can see the circus go by without running out into the front yard.”

But this was probably an after-thought. The kitchen end of the house extended toward Farmington Avenue, but it was by no means unbeautiful. It was a pleasing detail of the general scheme. The main entrance faced at right angles with the street and opened to a spacious hall. In turn, the hall opened to a parlor, where there was a grand piano, and to the dining-room and library, and the library opened to a little conservatory, semicircular in form, of a design invented by Harriet Beecher Stowe. Says Howells:

Mark Twain, A Biography, Vol. 1, Part 2, 1866-1875 — Part 147

The plants were set in the ground, and the flowering vines climbed up the sides and overhung the roof above the silent spray of the fountain companied by Callas and other waterloving lilies. There, while we breakfasted, Patrick came in from the barn and sprinkled the pretty bower, which poured out its responsive perfume in the delicate accents of its varied blossoms.

Mark Twain, A Biography, Vol. 1, Part 2, 1866-1875 — Part 147

In the library was an old carved mantel which Clemens and his wife had bought in Scotland, salvage from a dismantled castle, and across the top of the fireplace a plate of brass with the motto, “The ornament of a house is the friends that frequent it,” surely never more appropriately inscribed.

Mark Twain, A Biography, Vol. 1, Part 2, 1866-1875 — Part 147

There was the mahogany room, a large bedroom on the ground floor, and upstairs were other spacious bedrooms and many baths, while everywhere were Oriental rugs and draperies, and statuary and paintings. There was a fireplace under a window, after the English pattern, so that in winter-time one could at the same moment watch the blaze and the falling snow. The library windows looked out over the valley with the little stream in it, and through and across the tree-tops. At the top of the house was what became Clemens's favorite retreat, the billiard-room, and here and there were unexpected little balconies, which one could step out upon for the view.

Below was a wide, covered veranda, the “ombra,” as they called it, secluded from the public eye—a favorite family gathering-place on pleasant days.

But a house might easily have all these things without being more than usually attractive, and a house with a great deal less might have been as full of charm; only it seemed just the proper setting for that particular household, and undoubtedly it acquired the personality of its occupants.