Go to the Future () is the debut studio album by Japanese band Sakanaction. It was released on May 9, 2007 through Victor Entertainment sub-label BabeStar. Recorded and produced in the band's native Hokkaido in a month, the album compiled the band's early songs, including compositions from the band's vocalist Ichiro Yamaguchi's high-school band Dutchman. The album mixed electronic and rock music conventions, and featured live instruments as a way to conceptually separate the album from pure dance music.

Though not commercially successful nationally, the album was well received in Hokkaido. The leading song of the album, "Mikazuki Sunset", received strong airplay by radio stations such as FM North Wave and FM Hokkaido. Critics praised the album, noting Yamaguchi's distinct vocals and the band's varied electronic and rock sound.

Go to the Future

In 2009, the album was made available globally as a digital download, alongside the band's second and third albums Night Fishing (2008) and Shin-shiro (2009). In 2015, the album was reissued on CD, LP record and lossless digital formats.

Go to the Future

Background and development

Sakanaction was first formed in August 2005 in Sapporo, Hokkaido. It was originally a two-member unit, consisting of vocalist Ichiro Yamaguchi and guitarist Motoharu Iwadera. Yamaguchi first worked together with Iwadera in the band Dutchman, that formed at their high school in 1998 and performed British rock-inspired music. In 2004, the band broke up, and Yamaguchi took the name for his solo project, where he created techno and club music. Yamaguchi had the idea that it would be interesting to mix electronic music with Japanese-style "folky melodies", so formed Sakanaction with Iwadera.

Go to the Future

Bassist Ami Kusakari first joined the band as a support member in December 2005. She was originally in a separate band that often performed at the same events as Dutchman. When her band broke up, Yamaguchi took advantage of this and asked her to join. In the summer of 2006, keyboardist Emi Okazaki and drummer Keiichi Ejima joined the band to form the group's current five-member line-up. Ejima was introduced to Yamaguchi through a friend, and Okazaki was originally a co-worker of Yamaguchi's. Before the band's debut, they mostly performed at live houses around Sapporo. In August, the band made their first festival appearance at the Rising Sun Rock Festival in Yamaguchi's home town of Otaru. During this period, Sakanaction sent demos of their songs "Mikazuki Sunset" and later "Shiranami Top Water" to College Radio Japan Sapporo. Both songs were well received by listeners, managing to be in the top five weekly songs for the radio program, and "Shiranami Top Water" charted in the top 100 songs on FM North Wave's Sapporo Hot 100 chart in September.

While a member of Dutchman, Yamaguchi had been scouted and trained by Victor Entertainment. After they had managed to go through the audition process to perform at the Rising Sun Rock Festival, Yamaguchi sent his material with Sakanaction to his contact at Victor, which led to the band's debut through BabeStar. Originally the group featured three official members, after drummer Ejima had been added, but for the group's major label debut they officially promoted support members Kusakari and Okazaki. The band was unveiled as being on BabeStar's line-up in February 2007.

Writing and production

The album was recorded at two locations in Sapporo, Studio Jack at the Yamaha Center in Chūō-ku, and at Chieria Studio in the Sapporo Lifelong Learning Center in Nishi-ku. After it was commissioned, the album took only a month to produce, as Sakanaction mostly reworked demos they had already produced to create an album. Only the song "Yoru no Higashigawa" was written specifically for the album. Two of the songs had been released by Yamaguchi's first band Dutchman, "Inner World" in 2002 and "Mikazuki Sunset" in 2003. As a soloist, Yamaguchi released a remix of the song "Shiranami Top Water" on the compilation album Music for Pardisco in 2004. Retrospectively, Yamaguchi said that Go to the Future felt like a business card for Sakanaction, due to the album being a compilation of already created songs.