The National Museum is a fine modern structure three stories in height, the façade ornamented with appropriate statues and medallions, among which was one of Linnæus. On entering the edifice three colossal marble figures attract the eye, representing the chief deities of Scandinavian mythology, Odin, Thor, and Freyr; but as regards the curiosities collected here, they are in no way remarkable, being much like those of other collections. One exception should be made, however, in favor of the cabinet of ancient coins, which is very complete and attractive; it is claimed for it that there is no other in Europe of equal interest or importance. The collection of ancient Arabian coins is unique, and would delight the heart of the simplest numismatist. There is a large gallery of paintings in the upper story of the Museum, with a few examples of the old masters and many of the modern schools. In the open square before the National Museum is to be seen the original of the bronze group described in our chapter upon Gottenburg. This remarkable production, called the "Girdle-Duellists," is the masterpiece of the Swedish artist Molin, and is undoubtedly the finest piece of sculpture to be seen in the country. The pedestal is ornamented with four reliefs representing the origin and issue of the combat, with Runic inscriptions signifying "Jealousy," "Drinking," "Beginning of the Combat," and the "Widow's Lament." It seemed surprising to us that an artist capable of such admirable work as this justly famous group represents, could also have been the author of that hideous conception, the bronze statue of Charles XII., so conspicuously placed in the King's Park of Stockholm.
One of the most popular of the many cafés and pleasure-gardens either in the city proper or its environs, is that known as Hasselbacken, which is situated quite near to the Deer Park. This garden is crowded day and evening during the warm season with hundreds of visitors intent upon enjoying the various entertainments characterizing this resort, among which excellent instrumental and vocal music forms a specialty, while refreshments of every sort are served by an army of white-aproned and active waiters. A broad Turkish pavilion forms the principal concert-room at Hasselbacken, picturesquely fitted up for the purpose. In these grounds, under an ancient oak which reared its tall head proudly above all its neighbors, there was observed a fine statue of Bellman the composer, who, as we learned, was accustomed a century ago to sit in this spot and sing his compositions to his assembled friends, accompanying himself on his favorite instrument the cithern. The sculptor Nyström has reproduced the poet in bronze; and the composition is both beautiful as an ideal-historical monument and excellent in an artistic point of view. Fountains and flower-beds abound on all sides in these inviting grounds, the sylvan aspect being carefully and ingeniously preserved.