The house of the principal Lama was an oblong square, the lower story of stone, and the upper of wood: we ascended a ladder to the upper room, which was 24 feet by 8 wattled all round, with prettily latticed windows opening upon a bamboo balcony used for drying grain, under the eaves of the broad thatched roof. The ceiling (of neat bamboo work) was hung with glorious bunches of maize, yellow, red, and brown; an altar and closed wicker cage at one end of the room held the Penates, and a few implements of worship. Chinese carpets were laid on the floor for us, and the cans of Murwa brought round.
The Lama, though one of the red sect, was dressed in a yellow flowered silk robe, but his mitre was red: he gave us much information relative to the introduction of Boodhism into Sikkim.
The three temples stand about fifty yards apart, but are not parallel to one another, although their general direction is east and west.[102] Each is oblong, and narrowed upwards, with the door at one end; the middle (and smallest) faces the west, the others the east: the doorways are all broad, low and deep, protected by a projecting carved portico. The walls are immensely thick, of well-masoned slaty stones; the outer surface of each slopes upwards and inwards, the inner is perpendicular. The roofs are low and thickly thatched, and project from eight to ten feet all round, to keep off the rain, being sometimes supported by long poles. There is a very low upper story, inhabited by the attendant monks and servants, accessible by a ladder at one end of the building. The main body of the temple is one large apartment, entered through a small transverse vestibule, the breadth of the temple, in which are tall cylindrical praying-machines. The carving round the doors is very beautiful, and they are gaudily painted and gilded. The northern temple is quite plain: the middle one is simply painted red, and encircled with a row of black heads, with goggle eyes and numerous teeth, on a white ground; it is said to have been originally dedicated to the evil spirits of the Lepcha creed. The southern, which contains the library, is the largest and best, and is of an irregular square shape. The inside walls and floors are plastered with clay, and painted with allegorical representations of Boodh, etc. From the vestibule the principal apartment is entered by broad folding-doors, studded with circular copper bosses, and turning on iron hinges. It is lighted by latticed windows, sometimes protected outside by a bamboo screen. Owing to the great thickness of the walls (three to four feet), a very feeble light is admitted. In the principal temple, called “Dugang,” six hexagonal wooden columns, narrowed above, with peculiar broad transverse capitals, exquisitely gilded and painted, support the cross-beams of the roof, which are likewise beautifully ornamented. Sometimes a curly-maned gilt lion is placed over a column, and it is always furnished with a black bushy tail: squares, diamonds, dragons, and groups of flowers, vermilion, green, gold, azure, and white, are dispersed with great artistic taste over all the beams; the heavier masses of colour being separated by fine white lines.