+685+. At a later stage of social growth there appears the conception of a cosmic struggle, the conflict between the natural forces that tend to disorder and those that tend to order. Philosophical reflection led to the supposition of an original chaos, a medley of natural forces not combined or organized in such a way as to minister to the needs of human life; and a similar conception of conflict may have arisen from observation of the warring elements at certain seasons of the year.

+686+. The adjustment of the rival forces and the establishment of a system of physical order is referred to the great gods. Such a picture of the original state of things is contained in the elaborate Babylonian cosmologies that have come down to us; in these the dragon of disorder (Tiamat) is completely conquered by the god Bel-Marduk, who represents the Babylonian civilization of the time in which the cosmology arose. Of the same nature is the Egyptian myth of the contest between Horus (the light) and Set (the dark), in which, however, the victory of Horus is not described as being absolute[1168]--a representation suggested, possibly, by the recognition of the persistence of the good and bad elements of the world; compare the cosmologies of the Maidu and the Khonds mentioned above (§684). In the Greek and Teutonic myths in which the Giants are the enemies of the great gods a more humane and settled government of the world is introduced by Zeus and Wodan. Traces of this construction of the universe are to be found also among the Maoris, the Hawaiians, and other peoples of a like grade.[1169]

Introduction to the History of Religions — Part 218

+687+. In the original form of these myths there is no moral element beyond the fact that the settlement of the cosmic powers was necessary in order to the establishment of good social life. Individual wicked deities do not appear at this stage, but the way is prepared for them by the picture of cosmic struggle in which powers friendly and unfriendly to men are opposed to one another. A similar conception is found in the figures of the Fates, who are the embodiment of the course of events in the world--the immovable, remorseless, absolute fortune of men, good and bad--a picture of life as it has presented itself, doubtless, to men in all periods of history. Out of this came the abstract conception of Fate, the impersonal power that controls all things.

Introduction to the History of Religions — Part 218