In the statues of the _Tyrannicides_, then, which might pass equally well for typical athletes of the time, we have examples of statues in motion at the end of the sixth century B. C.; for the same violent action must have characterized the earlier group of Antenor as the later one. We have seen that the Aeginetan sculptors not only made pediment groups in action at a date not later than that of the group by Kritios and Nesiotes, but single figures still earlier. Thus the sculptor Glaukias represented the Karystian boy boxer Glaukos in the act of sparring with an imaginary opponent.[1294] Though Glaukos won in Ol. 65 (= 520 B. C.), his statue was set up later by his son, perhaps as late as the end of the sixth century B. C., or the beginning of the fifth, as the _floruit_ of the sculptor would show.[1295] This is the oldest example attested by literary evidence of an athlete statue in motion at Olympia. Whether Glaukias got his motive from Antenor’s _Tyrannicides_, or whether his work was the older, we can not determine, but it is safe to say that this _genre_ of statuary must have existed at Olympia long before, as we know it did elsewhere. The Rampin head, already discussed as a fragment of a victor statue, shows by the turn of its neck that athlete statues represented in motion existed at least as far back as the first half of the sixth century B. C.[1296]