The Tritons’ Fountain () is a fountain located just outside the City Gate of Valletta, Malta. It consists of three bronze Tritons holding up a large basin, balanced on a concentric base built out of concrete and clad in travertine slabs. The fountain is one of Malta's most important Modernist landmarks.
Designed and constructed between 1952 and 1959 under no less than three governing bodies, and conceived jointly by eminent sculptor Chevalier Vincent Apap and his collaborator draughtsman Victor Anastasi, the fountain became unofficially operational on Saturday 16 May 1959. The fountain was used as a stage for National Celebrations named 'Mill-Maltin għall-Maltin' and is believed to be what contributed to the dramatic collapse of the sculptural group on Wednesday 1 March 1978.
The sculptural group was repaired by Malta Drydocks engineers between January 1986 and April 1987. During this intervention a central sculptural addition consisting of three seagulls and seaweed (also the work of Chev. Apap) was introduced within the sculptural group, however this arrangement subsequently diminished the role of the gigantic Tritons’ figures.
The fountain deteriorated in subsequent decades, until the bronze figures were dismantled and restored in 2017. Works were ready by the end of the year, and the fountain and piazza were officially inaugurated on 12 January 2018.
Design
The fountain consists of three bronze figures of mythological Tritons holding up a platter. Two of the Tritons are sitting, while the third one is kneeling, and they are balanced on a seaweed base. The face of each Triton is visible when viewed from City Gate. Their posture gives a sense of strength as well as spiral movement, which contribute to the monumentality of the fountain. The water jets were also designed in order to convey the sense of movement. The figures of the Tritons represent Malta's links with the sea, and their design was inspired by the Fontana delle Tartarughe in Rome. After the fountain's platter was damaged in the 1980s, a bronze pillar depicting a flight of seagulls was added to the fountain to support its weight. This was not included once the restoration was completed in 2018.
The base of the fountain was originally designed with a quadripartite plan inspired by Rome's Fontana delle Naiadi, but this was later changed to a tripartite concentric plan. The base is constructed out of reinforced concrete, and it consists of four concentric water basins. The exterior is clad with a total of 730 tons of travertine slabs from Rome. The outer slabs of the vasca intermedia are decorated with a relief representing foliage.
Beneath the structure of the fountain, there are a series of passages and chambers which allow for maintenance and inspection and connect the fountain to the water and electrical services. These underground passages and a pump room cover an area of over , and are accessible through a manhole in the pavement near the fountain.
The fountain was designed so as to avoid contrast with the nearby bastions, as well as to blend with the Victorian-era Kingsgate. The gate was demolished five years after the fountain was completed.
Background and construction
The site of the fountain was formerly occupied by St. Madeleine's Lunette, a 17th-century lunette that protected the entrance to Valletta. The lunette was dismantled and its ditch was filled in with rubble in the 19th century, although some parts might have survived beneath the present street level. The area was eventually used as a bus terminus, and in January 1953 the Ministry for Public Works and Reconstruction launched a competition for designing a fountain in this empty space. The competition was open to everyone except for those who worked at the Public Works Department, and the first prize was of £100.
The winning proposal was entitled "Triton", and it was submitted by the sculptor Vincent Apap. It was designed in collaboration with the draughtsman and designer Victor Anastasi, who was not mentioned on the proposal since he was employed by the PWD. Apap worked on the sculpture of three Tritons in stucco at a former dovecote in Palazzo Parisio, which had been made available by his friend, the marquis Joe Scicluna. Meanwhile, Anastasi worked on the technical and architectural elements of the fountain, including the hydraulic systems, and costs and supplies of materials.