Father of the Pride is an American adult animated sitcom created by Jeffrey Katzenberg and produced by DreamWorks Animation which aired on NBC from August 31, 2004 to May 27, 2005. It was part of a short-lived trend of computer-animated series in prime-time network television (after Game Over). The series centers on a family of white lions, the patriarch of which stars in a Siegfried & Roy show in Las Vegas. Despite heavy promotion, the series was cancelled after only one season. Transmission and production were also delayed by the real-life on-stage injury of Roy Horn in October 2003.
Premise
The show revolves around the adventures of a family of white lions, consisting of father Larry, the bumbling yet well-intentioned star of Siegfried & Roy's show; Kate, a pretty, stay-at-home mother who is a member of a special women's group; Sierra, their teenage daughter who is frequently annoyed by her family; Hunter, their awkward young son, who is a huge fan of The Lord of the Rings; Sarmoti, Kate's father and Sierra and Hunter's grandfather who has a dislike for Larry; and Snack, Larry's mischievous gopher friend.
Recurring characters appear alongside the lion family; these include Larry's friends Roger, Chutney, Vincent, and Nelson; Larry's rival Blake and his wife Victoria; Sarmoti's friends Bernie, Duke, Chaz, and the Snout Brothers; Hi Larious; Kate's friends Foo-Lin, Lily, and Brittany; two lesbian gophers Chimmi & Changa; and Sierra's boyfriend Justin.
Development
It took more than 200 animators 2 years to make Father of the Pride. Computer animation was produced at Imagi Animation Studios in Hong Kong.
The series employed a small group of seasoned directors, which included Mark Risley, Bret Haaland, Steve Hickner, John Holmquist, John Stevenson, and Mark Baldo. Felix Ip served as creative director for Imagi. For the first season, DreamWorks created 30 principal sets, 500 special props, and about 100 characters. In fact, a typical episode unfolds across all 30 principal sets and features two or three unique locations as well. The lion habitat is inspired by the real Secret Garden in Las Vegas, where the actual Siegfried & Roy lions reside. In Father of the Pride, the Secret Garden encompasses residences for the main characters and their families and public areas ranging from the community bar to a school classroom.
Since Larry and his family drive the story lines for most of the episodes, their residence is the most detailed, comprising separate, contiguous sets for the living room, the kitchen, and the children's bedrooms. Meanwhile, the assets are stored in individual files in order to be loaded into separate layers and assembled modularly.
Voice cast
Major characters
Supporting characters
Episodes
Production
In 2002, Jeffrey Katzenberg came up with the idea for the series when he visited Siegfried & Roy's show in Las Vegas: "I thought, I wonder what it's like for those lions. What must life be like from their point of view? [They're] living in Las Vegas, trying to raise a family and earn a living. In animation, we look for those things — a way to look at our lives through a fantasy world. It allows us to take on subjects that are too difficult to do with real people. It allows us to be more controversial. Edgier. There can be parody and innuendo and satire. Things can be sophisticated in a way that even our feature films can't be."
According to Katzenberg, the series was created for "an 18- to 49-year-old. It's not about checking to make sure you don't leave the 6-, 7- and 8-year-olds behind. This is purely an adult show."
Each episode cost an estimated $2 million to $2.5 million to produce, making it at the time of its release one of the most expensive half-hour television comedies ever.
Long before its broadcast, the series was nearly cancelled, following the near-death of Roy Horn in October 2003; but after his condition improved, Siegfried & Roy urged NBC to continue production. Katzenberg recalled, "There was a short period of time where we all just rocked out on our heels and couldn't be particularly creative and certainly not very funny. But Siegfried kept saying, every step of the way, that this show meant so much to them. So much to Roy. Then, even more than it ever did."