See the article in Herzog-Hauck; T. Witton Davies, _Heinrich Ewald_ (1903); and cf. T.K. Cheyne, _Founders of Old Testament Criticism_ (1893); F. Lichtenberger, _History of German Theology in the Nineteenth Century_ (1889).
EWALD, JOHANNES (1743-1781), the greatest lyrical poet of Denmark, was the son of a melancholy and sickly chaplain at Copenhagen, where he was born on the 18th of November 1743. At the age of eleven he was sent to school at Schleswig, his father's birthplace, and returned to the capital only to enter the university in 1758. His father was by that time dead, and in his mother, a frivolous and foolish woman, he found neither sympathy nor moral support. At fifteen he fell passionately in love with Arense Hulegaard, a girl whose father afterwards married the poet's mother; and the romantic boy resolved on various modes of making himself admired by the young lady. He began to learn Abyssinian, for the purpose of going out as a missionary to Africa, but this scheme was soon given up, and he persuaded a brother, four years older than himself, to run away that they might enlist as hussars in the Prussian army. They managed to reach Hamburg just when the Seven Years' War was commencing and were allowed to enter a regiment. But the elder brother soon got tired and ran away, while the poet, after a series of extraordinary adventures, deserted to the Austrian army, where from being drummer he rose to being sergeant, and was only not made an officer because he was a Protestant. In 1760 he was weary of a soldier's life and deserted again, getting safe back to Denmark. For the next two years he worked with great diligence at the university, but the Arense for whom he had gone through so much hardship and taken so much pains married another man almost immediately after Ewald's final and very successful examination. The disappointment was one from which he never recovered, but his own weakness of will was largely to blame for it. He plunged into dissipation of every kind, and gave his serious thoughts only to poetry.