On the seventh day of the seventh moon I bade farewell to Ikao, and, loaded with little presents, descended slowly to Takasaki. Regret at leaving that delightful haven was soon lost in conjecturing the solution of an astronomic mystery. Village after village flaunted a galaxy of paper stars, which flecked the green background of interminable trees with dancing flakes of red, white, and blue. At every door stood a bamboo-stem crowned with a cluster of five-rayed stars, each ray being made of paper of a different colour. From this astral chaplet long streamers floated in the breeze, like the _gohei_, or cut paper inscribed with prayers, before a Shintō shrine. At Takasaki station I met Nitobe San’s sister-in-law, O Sen San, who was returning to her husband’s house at Tōkyō, while the student himself had gone to the more efficacious hot springs of Kusatsu. Being fellow-travellers as far as Akabane Junction, I begged her to reveal _en route_ the meaning of those starry signals which continued to flutter gaily in every district we passed, as though our train were freighted with royal passengers. Then I learned that all pious folk were celebrating that day the festival of Tanabata. The white streamers corresponded in number with the children in each household, and on every one was written a poem desiring happiness, especially good fortune in love, for the child whose name was appended. More than this she did not know, but a handsome young priest, who had remarked my zeal for knowledge, kindly volunteered the following legend:

“Long ago, as Chinese sages tell us, there dwelt in Heaven a herdsman and a weaver on opposite sides of the celestial river. All day the herdsman tended his cattle, and was far too busily occupied to think of taking a wife. All day the weaver sat at her loom, making clothes for the Emperor, and this labour took up so much of her thoughts that she even neglected to adorn her person. Then the Emperor, remarking her diligence and pitying her loneliness, sent for the herdsman and said: ‘Inasmuch as ye are both so devoted to my service, I will that ye shall henceforth be devoted to one another. I give thee this woman in marriage.’ So the girl crossed the river, and no married couple ever lived more happily together. But after a time the Emperor perceived that the marriage, though it might be a good thing for them, was an evil thing for him, since the weaver began to neglect her work, and his clothes, which had formerly won the admiration of his courtiers, showed signs of hasty and careless weaving. At this the Emperor grew very angry, and sent for the weaver and said: ‘Inasmuch as this marriage has been a joyful thing for thee and for thy husband, but a woeful thing for the Emperor of Heaven, I bid thee recross the river and return to thine old home. Once a year, on the seventh day of the seventh month, the herdsman may pay thee a visit, but on every other day in the year let him see to his herding and thou to thy weaving.’ So the girl returned to her old home, and the river flowed once more between herdsman and weaver; but every year, when the feast of Tanabata comes round, husband and wife are happy together. Therefore, all who desire their children to be fortunate in their love ask fortunate stars to shine upon them. Now, the Emperor of heaven is God; the celestial river is the Milky Way; the herdsman is a star in Aquila, and the weaver is no other than Vega, brightest and luckiest of stars.”

Japanese Plays and Playfellows — Part 83