These several negotiations occupied some time. Towards the close of the year 1785, Brant, feeling aggrieved at the non-payment of certain pecuniary losses sustained by the Mohawks during the war, again set sail for England, where in due course he arrived. As on the occasion of his former visit, he was received with the utmost consideration and respect, not by the nobility and gentry alone, but by royalty itself. He seems to have lived upon terms of equality with the best society of the British capital, and to have so borne himself as to do no discredit to his entertainers. The Baroness Riedesel, who had formerly met him at Quebec, had an opportunity of renewing acquaintance with him, and has left on record the impression which he produced upon her. She writes: "His manners are polished. He expresses himself with great fluency, and was much esteemed by General Haldimand. His countenance is manly and intelligent, and his disposition very mild."

During this visit a dramatic episode occurred which occupies a conspicuous place in all books devoted to Brant's life. The present writer has told the story elsewhere as follows:--One gusty night in the month of January, 1786, the interior of a certain fashionable mansion in the West End of London presented a spectacle of amazing gorgeousness and splendour. The occasion was a masquerade given by one of the greatest of the city magnates; and as the entertainment was participated in by several of the nobility, and by others in whose veins ran some of the best blood in England, no expense had been spared to make the surroundings worthy of the exalted rank of the guests. Many of the dresses were of a richness not often seen, even in the abodes of wealth and fashion. The apartments were brilliantly lighted, and the lamps shone upon as quaint and picturesque an assemblage as ever congregated in Mayfair. There were gathered together representatives of every age and clime, each dressed in the garb suited to the character meant to be personified. Here, a magnificently-attired Egyptian princess of the time of the Pharaohs languished upon the arm of an English cavalier of the Restoration. There, high-ruffed ladies of Queen Elizabeth's court conversed with mail-clad Norman warriors of the time of the Conqueror. A dark-eyed Jewess who might have figured at the court of King Solomon jested and laughed with a beau of Queen Anne's day. If the maiden blushed at some of the broad jokes of her companion, her blushes were hidden by the silken mask which, in common with the rest of the guests, she wore upon the upper part of her face, and which concealed all but the brilliancy of her eyes. Cheek by jowl with a haughty Spanish hidalgo stood a plaided Highlander, with his dirk and claymore. Athenian orators, Roman tribunes, Knights of the Round Table, Scandinavian Vikings and Peruvian Incas jostled one another against the rich velvet and tapestry which hung from ceiling to floor. Truly, a motley assemblage, and one well calculated to impress the beholder with the transitoriness of mortal fame. In this miscellaneous concourse the occupants of the picture frames of all the public and private galleries of Europe seemed to have been restored to life, and personally brought into contact for the first time. And though, artistically speaking, they did not harmonize very well with each other, the general effect was in the highest degree marvellous and striking. But of all the assembled guests, one in particular is the cynosure of all eyes--the observed of all observers. This is the cleverest masquer of them all, for there is not a single detail, either in his dress, his aspect or his demeanour, which is not strictly in conformity with the character he represents. He is clad in the garb of an American Indian. He is evidently playing the part of one of high dignity among his fellows, for his apparel is rich and costly, and his bearing is that of one who has been accustomed to rule. The dress is certainly a splendid make-up, and the wearer is evidently a consummate actor. How proudly he stalks from room to room, stately, silent, leonine, majestic. Lara himself--who, by the way, had not then been invented--had not a more chilling mystery of mien. He is above the average height--not much under six feet--and the nodding plumes of his crest make him look several inches taller than he is in reality. His tomahawk, which hangs loosely exposed at his girdle, glitters like highly-polished silver; and the hand which ever and anon toys with the haft is long and bony. The dark, piercing eyes seem almost to transfix every one upon whom they rest. One half of the face seems to be covered by a mask, made to imitate the freshly-painted visage of a Mohawk Indian when starting out upon the war path.

Canadian Notabilities, Volume 1 — Part 9