She sang 'The Castle of Dromore' again that night with its queer haunting lilt. And when she had gone up, and he was smoking over the fire, the girl in her dark-red frock seemed to come, and sit opposite with her eyes fixed on his, just as she had been sitting while they talked. Dark red had suited her! Suited the look on her face when she said:

“You're not to go!” Odd, indeed, if she had not some devil in her, with that parentage!

The Dark Flower — Part 113

Next day they had summoned him from the studio to see a peculiar phenomenon—Johnny Dromore, very well groomed, talking to Sylvia with unnatural suavity, and carefully masking the goggle in his eyes! Mrs. Lennan ride? Ah! Too busy, of course. Helped Mark with his—er—No! Really! Read a lot, no doubt? Never had any time for readin' himself—awful bore not having time to read! And Sylvia listening and smiling, very still and soft.

The Dark Flower — Part 113

What had Dromore come for? To spy out the land, discover why Lennan and his wife thought nothing of the word 'outside'—whether, in fact, their household was respectable.... A man must always look twice at 'what-d'you-call-ems,' even if they have shared his room at school!... To his credit, of course, to be so careful of his daughter, at the expense of time owed to the creation of the perfect racehorse! On the whole he seemed to be coming to the conclusion that they might be useful to Nell in the uncomfortable time at hand when she would have to go about; seemed even to be falling under the spell of Sylvia's transparent goodness—abandoning his habitual vigilance against being scored off in life's perpetual bet; parting with his armour of chaff. Almost a relief, indeed, once out of Sylvia's presence, to see that familiar, unholy curiosity creeping back into his eyes, as though they were hoping against parental hope to find something—er—amusing somewhere about that mysterious Mecca of good times—a 'what-d'you-call-it's' studio. Delicious to watch the conflict between relief and disappointment. Alas! no model—not even a statue without clothes; nothing but portrait heads, casts of animals, and such-like sobrieties—absolutely nothing that could bring a blush to the cheek of the young person, or a glow to the eyes of a Johnny Dromore.

The Dark Flower — Part 113