At first all went well, but from the very beginning of the visit he observed, or thought he observed, awkward phenomena. The country was thrilled with political excitement, and it vibrated with rhetorical resolutions which seemed to Ibsen very empty. He had a constitutional horror of purely theoretical questions, and these were occupying Norway from one end to the other. The King's veto, the consular difficulty, the Swedish emblem in the national flag, these were the subjects of frenzied discussion, and in none of these did Ibsen take any sort of pleasure. He was not politically far-sighted, it must be confessed, nor did he guess what practical proportions these "theoretical questions" were to assume in the immediate future.

That great writer and delightful associate, the Swedish poet, Count Snoilsky, one of the few whose company never wearied or irritated Ibsen, joined him in the far north. They spent a pleasant, quiet time together at Molde, that enchanting little sub-arctic town, where it looks southward over the shining fjord, with the Romsdalhorn forever guarding the mountainous horizon. Here no politics intruded, and Ibsen, when Snoilsky had left him, already thinking of a new drama, lingered on at Molde, spending hours on hours at the end of the jetty, gazing into the clear, cold sea. His passion for the sea had never betrayed him, and at Rome, where he had long given up going to any galleries or studios, he still haunted the house of a Norwegian marine painter, Nils Hansteen, whose sketches reminded him of old days and recollected waters.

Henrik Ibsen — Part 79

But the autumn comes on apace in these high latitudes, and Ibsen had to return to Christiania with its torchlight processions, and late noisy feasts, and triumphant revolutionary oratory. He disliked it extremely, and he made up his mind to go back to the indifferent South, where people did not worry about such things. Unfortunately, the inhabitants of Christiania did not leave him alone. They were not content to have him among them as a retired observer, they wanted to make him stand out definitely on one political side or the other. He was urged, at the end of September, to receive the inevitable torchlight procession planned in his honor by the Union of Norwegian Students. He was astute enough to see that this might compromise his independence, but he was probably too self-conscious in believing that a trap was being laid for him. He said that, not having observed that his presence gave the Union any great pleasure, he did not care to have its expression of great joy at t his departure. This was not polite, for it does not appear that the students had any idea that he intended to depart. He would not address a reply to the Union as a body, but to "my friends among the students."

Henrik Ibsen — Part 79