At that time there were two parties--the Choiseul, or Austrian, party, and those who opposed the policy of Choiseul, especially in the expulsion of the Jesuits; the latter were called the party of the _dévôts_ and were led by Chancellor Maupeau and the Duc d'Aiguillon. This faction, with the mistress--Mme. du Barry--as the motive power, soon broke up the power of Choiseul. The young and innocent foreign princess, unschooled in intrigue and politics, could not escape both political parties; upon her entrance into the French court, she was immediately classed with one or the other of these rival factions and thus made enemies by whatever turn she took, and was caught in a network of intrigues from which extrication was almost impossible.

[Illustration 5: _A GARDEN PARTY UNDER MARIE ANTOINETTE AT TRIANON After the painting by Émile Bayard._ _Parade was the primary requisite: she was obliged to keep up the splendor and attractiveness of the French monarchy. In spite of the vigorous remonstrances of her mother, the empress, she persisted in her wild career of dissipation and extravagance, and drew upon herself more and more the disrespect of the people, especially in appearing at places frequented by the disreputable of both sexes, by entering into all noisy and vulgar amusements, by her disregard and disdain of all the conventionalities of the court. As a place in which to vent all these emotions, these ebullitions of affections and amusements, the king presented her with the château "Little Trianon," where she might enjoy herself as she liked, away from the intrigues of court._]

Women of Modern France (Illustrated) — Part 207

Here, in this whirl of social excesses, her habits were formed; hers being a lively, alert, active nature, fond of pleasure and somewhat inclined toward raillery, she soon became so absorbed in the many distractions of court life that little time was left her for indulgence in reflection of a serious nature. Her manner of life at this time in part explains her subsequent career of heedlessness, excessive extravagance, and gayety.

Women of Modern France (Illustrated) — Part 207

At first her aunts--Mmes. Adelaïde and Sophie--succeeded in partially estranging her from Louis XV., who had taken a strong fancy to his granddaughter; but this influence was soon overcome--then these aunts turned against her. Her popularity, however, increased. Innumerable instances might be cited to show her kindness to the poor, to her servants, to anyone in need--a quality which made her popular with the masses. In time almost everyone at court was apparently enslaved by her attractions and endeavored to please the dauphiness--this was about 1774, when she was at the height of her popularity.

Women of Modern France (Illustrated) — Part 207