The Palace of Infante don Luis () is a neoclassic style palace located in Boadilla del Monte, Community of Madrid, Spain built between 1763 and 1765. It was declared Bien de Interés Cultural in 1974.
History
The building responds to an initiative of the Infante Luis of Spain, the youngest of the sons of King Felipe V and brother of Carlos III, who took over the lordship of Boadilla in 1761, taking advantage of the economic difficulties he was going through. Josefa Micaela de Mirabal, 3rd Marquise of Mirabal, to whom the area was assigned.
The current palace stands on the former palace of the Two Towers, residence of the aforementioned marquisate, which was integrated into the structure from a design by Ventura Rodríguez made in 1763. The works were executed at a very rapid pace, leaving the building practically completed in 1765, as it appears on a tombstone commemorating the end of construction, placed on the main façade.
The palace was the main residence of the Infante Don Luis from 1765 to 1776, the year of his morganatic marriage with María Teresa de Vallabriga, after which he moved to the Palacio de la Mosquera, in Arenas de San Pedro. Among its inhabitants was the musician Luigi Boccherini, who was under the protection of the infante during his stay in Spain. During the following years the palace belonged to his descendants the Dukes of Alcudia and Sueca.
During the Spanish Civil War (1936-1939) the construction suffered considerable damage, in addition to the loss of numerous works of art. In 1974 it was declared a National Monument, being expropriated in 1998 to the last owner, Enrique Jaime Ruspoli Morenés, 19th Count of Bañares son of the Dukes, by the City Council of Boadilla del Monte, who had planned to install in its dependencies the headquarters of the European Institute of Higher Studies of Culture and Communication.
Description
Exterior
The palace has an elongated rectangular floor plan (17 x 80 m approximately) with the main entrance façade facing the Northwest and the rear façade facing the south-east facing garden. It has a built area of 6,302.15 m². It is articulated in three main bodies, raised to three heights, to which are added two secondary bodies, of a single height, flanking the two sides.
The materials used in the construction are, for the most part, the red brick and, in the background, the stone, reserved for the doorways, the pediments and the socket, the latter of ashlar is granite. The roofs are made in Arabic tiles.
The whole is crowned by two small towers located at the ends, on the roofs, which emulate the layout of the original Palace of the Two Towers, on which the current building was erected. They are quadrangular and serve as light bodies, although they have oval vanes that break the linearity of the general layout.
The two main facades are projected without relief, except for the covers, the pediments and the cornice that tops the building, on which appears a parapet that hides the roof. These two facades, which have very similar layouts, are the northern, which serves as access, and the southern, which overlooks the gardens.
The central cover is framed with Tuscan columns. Above it rise a balcony with columns Ionic, a semicircular pediment and, above it, a commemorative tombstone, with the inscription "A.D. MDCCLXV", in allusion to the year in which the palace was finished. The remaining covers, located on the sides, are also presided by balconies with pediments, although triangular.
Ornamental elements are scarce on the outside. These are practically limited to the upper part, adorned with different vases and two coats of arms (corresponding to the king Felipe V of Spain), in white stone of Colmenar de Oreja.
Inside
Unlike the severe layout of the exterior, the interior was notable for its sumptuousness, especially visible in the chapel. The recurrent use of motifs Corinthians, the use of materials such as marble, bronze or stucco and the presence of decorative elements such as garlands, angels, grapes and flowers in the arches, pendentives, cornices and vaults account for the ornamental profusion of this dependence.
In the chapel are the pantheons of María Teresa de Borbón and Vallabriga, XV Countess of Chinchón, second daughter of Luis Antonio de Borbón and wife of Manuel Godoy; and María Luisa de Borbón y Vallabriga, duchess consort of San Fernando de Quiroga, among other historical personalities.
The palace housed an important collection of works of art, from the Dukes of Alcudia and Sueca among which were pictures of Goya, Rembrandt, Murillo, Velázquez and Dürer , among other artists.