In an article published some years later on the cuneiform inscriptions of Van, Dr. Mordtmann referred to the boss, and it was his description of the figure in the centre of it which arrested my attention. I saw at once that the figure must be in the style of art I had just determined to be Hittite, and I guessed that the 'symbols' which accompanied it would turn out to be Hittite hieroglyphs. Dr. Mordtmann stated that he had given a copy of the boss in 1862 in the 'Numismatic Journal which appears in Hanover.' After a long and troublesome search I found that the publication meant by him was not a Journal at all, and had appeared at Leipzig, not at Hanover, in 1863, not in 1862. The copy of the boss contained in it showed that I was right in believing Dr. Mordtmann's 'symbols' to be Hittite characters.
It now became necessary to know how far the copy was correct, and to ascertain whether the original were still in existence. A reply soon came from the British Museum. The boss had once been offered to the Museum for sale, but rejected, as nothing like it had ever been seen before, and it was therefore suspected of being a forgery. Before its rejection, however, an electrotype had been taken of it, an impression of which was now sent to me.
Shortly afterwards came another communication from M. François Lenormant, one of the most learned and brilliant Oriental scholars of the present century. He had seen the original at Constantinople some twenty years previously, and had there made a cast of it, which he forwarded to me. The cast and the electrotype agreed exactly together.
There could accordingly be no doubt that we had before us, if not the original itself, a perfect facsimile of it. The importance of this fact soon became manifest, for the original boss disappeared after M. Jovanoff's death, and in spite of all enquiries no trace of it can be discovered. It may be recovered hereafter in the bazaars of Constantinople or in some private house at St. Petersburg; at present there is no clue whatever to its actual possessor.
The reading of the cuneiform legend offers but little difficulty. It gives us the name and title of the king whose figure is engraved within it--'Tarqu-dimme king of the country of Erme.'