Lloyd and her guests arrived on the scene while Mary was away in the pony-cart on another borrowing expedition. All of the tableaux, except two, were simple in setting, requiring only the costumes that could be furnished by the chests of the neighborhood attics. But those two kept everybody busy all morning long. One was the reproduction of a famous painting called June, in which seven garlanded maidens in Greek costumes posed in a bewitching rose bower. Quantities of roses were needed for the background, great masses of them that would not fade and droop; and since previous experience had proved that artificial flowers may be used with fine stage effect in the glare of red foot-lights the whole place was bursting into tissue-paper bloom. The girls cut and folded the myriad petals needed, the boys wired them, and a couple of little pickaninnies sent out to gather foliage, piled armfuls of young oak-leaves on the porch to twine into long conventional garlands, like the ones in the painting.
Agnes Waring had come over to help with the Greek costumes, and since the long folds of cheesecloth could be held in place by girdles, basting threads, and pins, the gowns were rapidly finished.
Down by the tea-house the colored coachman sawed and pounded and planed under Malcolm's occasional direction. He was building a barge like the one described in Tennyson's poem of the Lily Maid of Astolat. From time to time, Lloyd, who was to personate Elaine, was called to stretch herself out on the black bier in the centre, to see if it was long enough or high enough or wide enough, before the final nails were driven into place.
Malcolm, with a pole in his hand, posed as the old dumb servitor who was to row her up the river. It all looked unpromising enough in the broad daylight; the boat with its high stiff prow made of dry goods boxes and covered with black calico, and Lloyd stretched out on the bier in a modern shirtwaist suit with side-combs in her hair. She giggled as she meekly crossed her hands on her breast, with a piece of newspaper folded in one to represent the letter, and a bunch of lilac leaves in the other, which later was to clasp the lily. From under the long eyelashes lying on her cheeks, she smiled mischievously at Malcolm, who was vainly trying to put a decrepit bend into his athletic young back, as he bent over the pole in the attitude of an old, old man.