"It is distinctly naughty of you," Christopher replied, with the smile that was always ready for Elisabeth's feeblest sallies, "to draw the good soul out for the express purpose of laughing at her. I am ashamed of you, Miss Farringdon."

"Draw her out, my dear boy! You don't know what you are talking about. The most elementary knowledge of Mrs. Herbert would teach you that she requires nothing in the shape of drawing out. You have but to mention the word 'dinner,' and the secret sins of her cook are retailed to you in chronological order; you have but to whisper the word 'clothes,' and the iniquities of her dressmaker's bill are laid bare before your eyes. Should the conversation glance upon Mr. Herbert, his complete biography becomes your own possession; and should the passing thought of childhood appear above her mental horizon, she tells you all about her own children as graphically as if she were editing a new edition of The Pillars of the House. And yet you talk of drawing her out! I am afraid you have no perceptions, Christopher."

The Farringdons — Part 113

"Possibly not; everybody doesn't have perceptions. I am frequently struck with clever people's lack of them."

The Farringdons — Part 113

"Well, I'm off," replied Elisabeth, whipping up her pony, "to hear Mrs. Herbert's outpourings on Felicia's happiness; when I come back I expect I shall be able to write another poem on 'How does the water come down at Lodore'--with a difference."

The Farringdons — Part 113

And Christopher--who had met her in the High Street--smiled after the retreating figure in sheer delight at her. How fresh and bright and spontaneous she was, he thought, and how charmingly ignorant of the things which she prided herself upon understanding so profoundly! He laughed aloud as he recalled how very wise Elisabeth considered herself. And then he wondered if life would teach her to be less sure of her own buoyant strength, and less certain of her ultimate success in everything she undertook; and, if it did, he felt that he should have an ugly account to settle with life. He was willing for Fate to knock him about as much and as hardly as she pleased, provided she would let Elisabeth alone, and allow the girl to go on believing in herself and enjoying herself as she was so abundantly capable of doing. By this time Christopher was enough of a philosopher to think that it did not really matter much in the long run whether he were happy or unhappy; but he was not yet able to regard the thought of Elisabeth's unhappiness as anything but a catastrophe of the most insupportable magnitude; which showed that he had not yet sufficient philosophy to go round.