In the make of the great masters the idea of political liberty is indispensable. Liberty takes the adherence of heroes wherever man and woman exist--but never takes any adherence or welcome from the rest more than from poets. They are the voice and exposition of liberty. They out of ages are worthy the grand idea--to them it is confided, and they must sustain it. Nothing has precedence of it, and nothing can warp or degrade it.
As the attributes of the poets of the kosmos concenter in the real body, and in the pleasure of things, they possess the superiority of genuineness over all fiction and romance. As they emit themselves, facts are shower'd over with light--the daylight is lit with more volatile light--the deep between the setting and rising sun goes deeper many fold. Each precise object or condition or combination or process exhibits a beauty--the multiplication table its--old age its--the carpenter's trade its--the grand opera its--the huge-hull'd clean-shap'd New York clipper at sea under steam or full sail gleams with unmatch'd beauty--the American circles and large harmonies of government gleam with theirs--and the commonest definite intentions and actions with theirs. The poets of the kosmos advance through all interpositions and coverings and turmoils and stratagems to first principles. They are of use--they dissolve poverty from its need, and riches from its conceit. You large proprietor, they say, shall not realize or perceive more than anyone else. The owner of the library is not he who holds a legal title to it, having bought and paid for it. Anyone and everyone is owner of the library, (indeed he or she alone is owner,) who can read the same through all the varieties of tongues and subjects and styles, and in whom they enter with ease, and make supple and powerful and rich and large.
These American States, strong and healthy and accomplish'd, shall receive no pleasure from violations of natural models, and must not permit them. In paintings or mouldings or carvings in mineral or wood, or in the illustrations of books or newspapers, or in the patterns of woven stuffs, or anything to beautify rooms or furniture or costumes, or to put upon cornices or monuments, or on the prows or sterns of ships, or to put anywhere before the human eye indoors or out, that which distorts honest shapes, or which creates unearthly beings or places or contingencies, is a nuisance and revolt. Of the human form especially, it is so great it must never be made ridiculous. Of ornaments to a work nothing outre can be allow'd--but those ornaments can be allow'd that conform to the perfect facts of the open air, and that flow out of the nature of the work, and come irrepressibly from it, and are necessary to the completion of the work. Most works are most beautiful without ornament. Exaggerations will be revenged in human physiology. Clean and vigorous children are jetted and conceiv'd only in those communities where the models of natural forms are public every day. Great genius and the people of these States must never be demean'd to romances. As soon as histories are properly told, no more need of romances.