Locksley disappeared, as you will remember from public view. The events above alluded to happened in March. On calling at his lodgings in April, I was told he had gone to the "country." But towards the last of May I met him. He told me that he was on the look-out for a quiet, unfrequented place on the sea-shore, where he might rusticate and sketch. He was looking very poorly. I suggested Newport, and I remember he hardly had the energy to smile at the simple joke. We parted without my having been able to satisfy him, and for a very long time I quite lost sight of him. He died seven years ago, at the age of thirty-five. For five years, accordingly, he managed to shield his life from the eyes of men. Through circumstances which I need not detail, a large portion of his personal property has come into my hands. You will remember that he was a man of what are called elegant tastes: that is, he was seriously interested in arts and letters. He wrote some very bad poetry, but he produced a number of remarkable paintings. He left a mass of papers on all subjects, few of which are adapted to be generally interesting. A portion of them, however, I highly prize,--that which constitutes his private diary. It extends from his twenty-fifth to his thirtieth year, at which period it breaks off suddenly. If you will come to my house, I will show you such of his pictures and sketches as I possess, and, I trust, convert you to my opinion that he had in him the stuff of a great painter. Meanwhile I will place before you the last hundred pages of his diary, as an answer to your inquiry regarding the ultimate view taken by the great Nemesis of his treatment of Miss Leary,--his scorn of the magnificent Venus Victrix. The recent decease of the one person who had a voice paramount to mine in the disposal of Locksley's effects enables me to act without reserve.

_Cragthorpe, June 9th._--I have been sitting some minutes, pen in hand, pondering whether on this new earth, beneath this new sky, I had better resume these occasional records of my idleness. I think I will at all events make the experiment. If we fail, as Lady Macbeth remarks, we fail. I find my entries have been longest when my life has been dullest. I doubt not, therefore, that, once launched into the monotony of village life, I shall sit scribbling from morning till night. If nothing happens--But my prophetic soul tells me that something _will_ happen. I am determined that something shall,--if it be nothing else than that I paint a picture.

The Atlantic Monthly, Volume 17, No. 100, February, 1866 — Part 62