_Feb_. 19.--I have had the pleasure of dining with that remarkable woman and once distinguished actress, Miss Charlotte Cushman. Her nephew was consul at Rome, appointed by William II. Seward, who was one of her warmest American friends. She is still queen of the stage, and of her own household, and unconsciously gives orders to the servants in a dramatic manner which is sometimes very amusing. So it was to hear her sing, "Mary, call the cattle home," as if she were sending for the heavy artillery. She impresses me, however, as one of the most genuine of womankind; and her conversation is delightful,--so sympathetic, appreciative, full of strong good sense, and fresh original views. She has small mercy on newly-converted Catholics. "The faults of men," she said, "are chiefly those of strength, but the faults of my own sex arise from weakness." I happened to refer to Mr. Appleton's bust of Aurelius, and she said she was surprised he had purchased it, for it did not seem to her a satisfactory copy; a conclusion that I had been slowly coming to myself. She has a bronze replica of Story's "Beethoven" which, like most of his statues, is seated in a chair, and a rather realistic work, as Miss Cushman admitted. I judged from the conversation at table that she is not treated with full respect by the English and American society here, although looked upon as a distinguished person. The reason for this may be more owing to the social position of her relatives than her former profession. Mrs. Trelawney, the wife of Byron's eccentric friend, spoke of her to me a few days ago in terms of the highest esteem. She is a great-hearted woman, and her presence would be a moral power anywhere.

There is snobbishness enough in Rome--English, American, and Italian. Doolittle, who is the son of a highly respectable New York lawyer, went to the hunt last week, as he openly confessed, to give himself distinction. A young lady was thrown from her horse, and he was the first person to come to her assistance. She thanked him for it at the time, but two days afterwards declined to recognize his acquaintance. This was probably because he was an artist, or rather sets up for one, for he is more like a gentleman of leisure.

Cambridge Sketches — Part 167