The Ghost and the Guest is a 1943 American black-and-white comedy-mystery film directed by William Nigh and starring James Dunn, Florence Rice, Robert Dudley, and Sam McDaniel. The plot finds a newlywed couple honeymooning in a house they think is haunted but which is really overrun by a gang of criminals trying to recover stolen loot. Based on an original story by American animator Milt Gross, the screenplay was the first film script by comedian Morey Amsterdam.
Plot
Webster Frye is looking forward to honeymooning with his new wife Jackie in California, but Jackie has her own ideas. She cancels their airplane tickets and arranges for Harmony, their chauffeur, to drive them to an old house in the country which her father has purchased for her. Outside the rundown property they meet Ben Bowron, a professional hangman who says the last criminal he executed, a jewel thief named Honeyboy, willed this house to him. Jackie ignores him and goes inside to investigate the house, which is dusty and unkempt. Meanwhile, the coffin of Honeyboy is brought to the house and Webster, feeling frazzled by the situation and his wife's inability to obey his wishes, calls the police to get rid of it. Behind the couple's backs, an escaped convict named Killer Blake sneaks out of the coffin and hides in a secret niche. A police chief who fancies himself a crime novelist and his deputy arrive on the scene, followed by a gang of criminals posing as Honeyboy's bereaved relatives and lawyer, whose real purpose is to locate Honeyboy's stolen jewels. Discovering the empty coffin, the police take everyone down to the cellar to search for the missing body, while Killer Blake sneaks around upstairs looking for Honeyboy's loot.
A frustrated Webster and Jackie have no privacy on their wedding night as the police order everyone to stay inside the house. Jackie, pretending she is Webster's gun moll, convinces Smoothie Lewis that Webster is really a tough gangster and deserves 75 percent of the haul. Webster discovers a hidden passageway and revolving wall in his bedroom closet, and takes Jackie with him down a secret stairway to search the cellar. Harmony also sees men "disappear" into a wall where he is sleeping. The group discovers a dummy on which Bowden practices his hanging technique, and a previously-dead man is found dangling from a noose. While Jackie is alone in her room, Killer Blake enters and threatens her, but Webster rescues her. Jackie discovers the stolen diamonds that Honeyboy hid in a Polynesian bust. After Blake and the gang of criminals are taken away to the police station, a real estate agent appears at the door explaining that this is not the house Jackie's father bought them, but the right one is a few miles down the road; however, that house has burned down. The agent offers to show them other properties for sale, but Webster pushes him away and decides they will honeymoon in California instead.
Cast
James Dunn as Webster Frye
Florence Rice as Jacqueline "Jackie" DeLong Frye
Robert Dudley as Ben Bowron
Mabel Todd as Little Sister Mabel
Sam McDaniel as Harmony Jones
Jim Toney as Police Chief Bagwell
Eddy Chandler as Policeman Herbie
Robert Bice as Smoothie Lewis
Renee Carson as Big Sister Josie
Anthony Warde as Killer Blake
Anthony Caruso as Henchman Ted
Eddie Foster as Henchman Harold
Production
Development
The Ghost and the Guest is based on an original story by Milt Gross. The screenplay is the first film script by Morey Amsterdam, who previously wrote lyrics for the 1936 film With Love and Kisses.
The film was produced by Alexander-Stern Productions Inc., with Leon Fromkess credited as production supervisor.
Casting
James Dunn was making his first film appearance in two years after co-starring in the Broadway production of Panama Hattie with Ethel Merman. The Ghost and the Guest would be Florence Rice's last film role. Mabel Todd, who plays her typical dumb blonde role as Little Sister Mabel, was at the time the real-life wife of screenwriter Amsterdam.
Filming
Production began on February 1, 1943.
Release
The Ghost and the Guest was released on April 19, 1943.
Critical reception
Contemporary reviews were uncomplimentary. The New York Daily News panned the film, writing: With so little of the dialogue really good, so many of the players downright bad, and so much time wasted in burlesqueing such appurtenances of mystery as sliding panels, secret passageways, prowling strangers and coffins without corpses, the film hasn't much to offer as a comedy or a thriller.