“The impertinence of my frequent visits to him was amply rewarded; forasmuch as, I can truly say, he never received me but with agreeable open complacency; and I never left him but with profitable pleasure and improvement. He was one or other, the most modest, the most patient of contradiction, and the most informing and entertaining I ever conversed with—at least, of any man who had so just pretensions to pertinacity and reserve.”
Mr. Langton, however, who was also a frequent visitor of Young’s, informed Boswell—
“That there was an air of benevolence in his manner; but that he could obtain from him less information than he had hoped to receive from one who had lived so much in intercourse with the brightest men of what had been called the Augustan age of England; and that he showed a degree of eager curiosity concerning the common occurrences that were then passing, which appeared somewhat remarkable in a man of such intellectual stores, of such an advanced age, and who had retired from life with declared disappointment in his expectations.”
The same substance, we know, will exhibit different qualities under different tests; and, after all, imperfect reports of individual impressions, whether immediate or traditional, are a very frail basis on which to build our opinion of a man. One’s character may be very indifferently mirrored in the mind of the most intimate neighbor; it all depends on the quality of that gentleman’s reflecting surface.
But, discarding any inferences from such uncertain evidence, the outline of Young’s character is too distinctly traceable in the well-attested facts of his life, and yet more in the self-betrayal that runs through all his works, for us to fear that our general estimate of him may be false. For, while no poet seems less easy and spontaneous than Young, no poet discloses himself more completely. Men’s minds have no hiding-place out of themselves—their affectations do but betray another phase of their nature. And if, in the present view of Young, we seem to be more intent on laying bare unfavorable facts than on shrouding them in “charitable speeches,” it is not because we have any irreverential pleasure in turning men’s characters “the seamy side without,” but because we see no great advantage in considering a man as he was _not_. Young’s biographers and critics have usually set out from the position that he was a great religious teacher, and that his poetry is morally sublime; and they have toned down his failings into harmony with their conception of the divine and the poet. For our own part, we set out from precisely the opposite conviction—namely, that the religious and moral spirit of Young’s poetry is low and false, and we think it of some importance to show that the “Night Thoughts” are the reflex of the mind in which the higher human sympathies were inactive. This judgment is entirely opposed to our youthful predilections and enthusiasm. The sweet garden-breath of early enjoyment lingers about many a page of the “Night Thoughts,” and even of the “Last Day,” giving an extrinsic charm to passages of stilted rhetoric and false sentiment; but the sober and repeated reading of maturer years has convinced us that it would hardly be possible to find a more typical instance than Young’s poetry, of the mistake which substitutes interested obedience for sympathetic emotion, and baptizes egoism as religion.
