Yes, I would go, but I was conscious in my heart of a secret dislike to the appearance of Mary Desmond upon the stage. It was an affair for ladies and gentlemen, and but few of the general public would be present; still it was not a time when play acting was regarded with very favorable eyes, especially in America. Yet I was conscious that my objection was not founded upon that feeling. I did not wish to see Mary Desmond, to whom I was naught, seeking the applause of a crowd, and above all, I was not willing to hear these men from England discussing her as they would discuss some stage queen of their own London.
Belfort, who was a fine actor, so Marcel told me, was to have the hero's part, and he was to make love to Miss Desmond.
"But I promise you it's all in the play, Bob," said Phil, looking at me from under his eyebrows.
I was not so sure of that, but this additional news increased my distaste for the play, and I would have changed my mind and stayed away if Marcel had not assured me that it could not be done.
"You are to go with us behind the scenes, Bob," he said. "We have already arranged for that. Moore is one of the managers, and he has made me his assistant. Behold, how invaluable I have become to the British army in the few days that we have been in Philadelphia! We may need your help, too. You are to be held in reserve, and Moore will never forgive you if you do not come."
I was a little surprised at his eagerness on the point, but at the appointed time I went with him to the theatre. It had never lacked for attendance when the plays were given in the course of the winter, and to-night, as usual, it was crowded with British and Hessian officers, and Philadelphia Tories with their wives and daughters. I peeped at the audience from my place behind the curtain, and it had been a longtime since I had seen so much white powder and rose-pink and silk ribbon and golden epaulet.
I do not remember much about the play or even its name, only that it had in it a large proportion of love-making, and fighting with swords, all after the approved fashion. I might have taken more careful note, had not Reginald Belfort and Mary Desmond filled the principal parts, and my eyes and ears were for them in particular rather than for the play in general. There was a great chorus of "Bravos," and a mighty clapping of hands when she appeared upon the stage as the oppressed and distressed daughter of a mediæval English Lord whom the brave knight, Lieutenant Reginald Belfort, was to win, sword in hand, and to whom he was to make the most ardent love. Belfort did his part well. I give him full credit for that. He did not miss a sigh or vow of passion, and his voice, his looks, his gestures were so true, so earnest, that the audience thundered its applause.