Pierre Petit (21 April 1922 – 1 July 2000) was a French composer.

Life

Petit was born in Poitiers, the son of a professor of the khâgne. He studied literature and music in Paris (Hattemer Course, Lycée Louis-le-Grand) and literature at the Sorbonne. He studied at the Paris Conservatoire from 1942, his teachers included Georges Dandelot for music analysis, Nadia Boulanger for harmony, Noël Gallon for counterpoint and fugue, and Henri Busser for composition.

Pierre Petit (composer)

In 1946, he won the Premier Grand Prix de Rome with the lyrical scene Le jeu de l'amour et du hasard, which was performed in the same year by the orchestra of the Cadets du Conservatoire under the direction of Claude Delvincourt.

Pierre Petit (composer)

From 1951 Petit taught the history of civilization at the Conservatoire de Paris and the École polytechnique. In 1960, he began working for the Office de Radiodiffusion Télévision Française. At first he was head of light music, and then from 1965 he was musical director. Among others, he produced music for accords parfaits, contre-ut, Presto, Figaro ci figaro là.

Pierre Petit (composer)

In 1963, he was appointed director of the École normale de musique de Paris, succeeding Alfred Cortot and working alongside such musicians as Nadia Boulanger, Georges Dandelot, Alfred Desenclos, Norbert Dufourcq and Marguerite Roesgen-Champion. He held the position for 35 years, when he was succeeded by Henri Heugel. His students included Roger Bellon.

He was also on the jury of the Long-Thibaud-Crespin Competition.

Output and awards

Petit composed operas, operettas and ballets, orchestral works, concertos, chamber music and songs. He was also noted as a music writer, writing books on Verdi, Ravel, Mozart, and a study of the musical problems of Aristotle. He was also a music critic for Le Figaro.

For his musical work, in 1965 he was awarded the Grand Prix du Conseil Général de la Seine, and in 1985, the Grand Music Prize of SACEM.

Personal life

He married the singer Christiane Castelli, famous for her interpretation of Tosca at the Opéra de Paris. They had three children, Claude (journalist and writer), Didier (singer, songwriter and performer under the name Romain Didier) and Marie-Laurène. Later he married the violinist Marie-Claude Theuveny in 1958, and had two children with her, Carolin Petit, composer and arranger of music for film and television, and Nicolas. Finally, in 1974 he married his third wife Liliane Fiaux.

Works

Compositions

Mélodie for voice and piano, 1941

6 Petites pièces à 4 mains, piano pieces for children, 1942

Concertino pour piano, 1942

Suite für vier Celli, 1942

Bois de Boulogne, five pieces for piano, 1946

La Maréchale Sans-Gêne, operetta, 1948

Zadig, ballet, 1948

Deux mélodies sur des poèmes de Charles Oulmont, 1949

Romanza romana, 1950

Ciné-Bijou, ballet after jazz themes, composed for Roland Petit, 1952

Feu rouge, feu vert, ballet, 1953

Saxopéra, for saxophone, 1955

Furia italiana, opera, 1958

Concertino for organ, strings and percussion, 1958

Concerto pour tête-à-tête, opera, 1959

Migraine, comic opera, 1959

Toccata et Tarentelle for two guitars, 1959

Andante und Fileuse for saxophone, 1959

Concerto for two guitars, 1964

Quatre poèmes de Paul Gilson, 1965

Le Diable à deux for two pianos, 1970

Tarentelle for orchestra, 1971

Suite for two cellos and orchestra, 1974

Orphée, ballet, 1975

Oregon, piano suite for children, 1979

Mouvement perpétuel for guitar, 1984

Writings

Autour de la chanson française, 1952

Verdi, 1958

Ravel, 1970

Mozart, 1991

References

"Pierre Petit", in Sax, Mule & Co, Jean-Pierre Thiollet, H & D, Paris, 2004, s. 160-161 Pierre Petit in the Encyclopédie Universalis

External links

20th-century French composers

French operetta composers

People from Poitiers

1922 births

2000 deaths

20th-century classical composers

Conservatoire de Paris alumni

École Normale de Musique de Paris alumni

Academic staff of the École Normale de Musique de Paris

Composers for the classical guitar

Prix de Rome for composition

French music critics