The universe _endures_. The more we study the nature of time, the more we shall comprehend that duration means invention, the creation of forms, the continual elaboration of the absolutely new. The systems marked off by science _endure_ only because they are bound up inseparably with the rest of the universe. It is true that in the universe itself two opposite movements are to be distinguished, as we shall see later on, "descent" and "ascent." The first only unwinds a roll ready prepared. In principle, it might be accomplished almost instantaneously, like releasing a spring. But the ascending movement, which corresponds to an inner work of ripening or creating, _endures_ essentially, and imposes its rhythm on the first, which is inseparable from it.

There is no reason, therefore, why a duration, and so a form of existence like our own, should not be attributed to the systems that science isolates, provided such systems are reintegrated into the Whole. But they must be so reintegrated. The same is even more obviously true of the objects cut out by our perception. The distinct outlines which we see in an object, and which give it its individuality, are only the design of a certain kind of _influence_ that we might exert on a certain point of space: it is the plan of our eventual actions that is sent back to our eyes, as though by a mirror, when we see the surfaces and edges of things. Suppress this action, and with it consequently those main directions which by perception are traced out for it in the entanglement of the real, and the individuality of the body is reabsorbed in the universal interaction which, without doubt, is reality itself.

Creative Evolution — Part 13

Now, we have considered material objects generally. Are there not some objects privileged? The bodies we perceive are, so to speak, cut out of the stuff of nature by our _perception_, and the scissors follow, in some way, the marking of lines along which _action_ might be taken. But the body which is to perform this action, the body which marks out upon matter the design of its eventual actions even before they are actual, the body that has only to point its sensory organs on the flow of the real in order to make that flow crystallize into definite forms and thus to create all the other bodies--in short, the _living_ body--is this a body as others are?

Creative Evolution — Part 13