There are few chapters in the history of mediæval architecture which it would be more desirable to have fully and carefully written than that of the style of Provence from the retirement of the Romans to the accession of the Franks. This country, from various causes, retained more of its former civilisation through the dark ages than any other, at least on this side of the Alps. Such a history, however, is to be desired more in an archæological than in an architectural point of view; for the Provençal churches, compared with the true Gothic, though numerous and elegant, are small, and most of them have undergone such alterations as to prevent us from judging correctly of their original effect.

Among the Provençal churches, one of the most remarkable is Notre Dame de Doms, the cathedral at Avignon (Woodcut No. 547). Like all the others, its dimensions are small, as compared with those in the northern province, as it is only 200 ft. in length, and the nave about 20 ft. in width. The side aisles have been so altered and rebuilt, that it is difficult to say what their plan and dimensions originally may have been.

A History of Architecture in All Countries, Volume 2, 3rd ed. — Part 42

[Illustration: 547. Porch of Notre Dame de Doms, Avignon. (From Laborde’s ‘Monuments de la France.’)]

A History of Architecture in All Countries, Volume 2, 3rd ed. — Part 42

The most remarkable feature and the least altered is the porch, which is so purely Romanesque that it might almost be said to be copied from such examples as the arches on the bridge of Chamas (Woodcut No. 221). It presents, however, all that attenuation of the horizontal features which is so characteristic of the Lower Empire, and cannot rank higher than the Carlovingian era; though it is not quite so easy to determine how much more modern it may be. The same ornaments are found in the interior, and being integral parts of the ornamentation of the pointed roof, have led to various theories to account for this copying of classical details after the period at which it was assumed that the pointed arch had been introduced. It has been sufficiently explained above, how early this was the case as a vaulting expedient in this quarter; and that difficulty being removed, we may safely ascribe the whole of the essential parts of this church to a period not long, if at all, subsequent to the age of Charlemagne.

A History of Architecture in All Countries, Volume 2, 3rd ed. — Part 42