Now, therefore, behold him, determined in his turn to be an original poet. This time he no longer copies, he invents; he arranges his fable to his mind, and seeks no further refuge in the phantasmagoria of Spain. With original ideas, comes to him originality of style; and he at last lights on that wondrous and imperishable dialogue which may be compared to the dialogue of Molière, not for its ease, perhaps, but unquestionably for its grace and elegance. He found at the same time, to his great joy, now that he was himself--that he walked in the footsteps of nobody, he found that the business was much more simple; this time he was at his ease in his plot, which he disposed as it pleased him; he breathed freely in the space which he had opened to himself; nothing constrained his march, any more than his poetical caprice. Well! at last then we behold him the supreme moderator of his work, we behold him such as the pit would have him, such as we all hoped he was.
This happy comedy, which is, beyond all doubt, the first work of Le Sage, is entitled "Crispin, Rival de son Maître." When he had finished it, Le Sage, grateful for the reception which the court had given to "Don César Ursin," was desirous that the court should also have the first hearing of "Crispin, Rival de son Maître." He remembered, with great delight, that the first applauses he had received had been echoed from Versailles! Behold him then producing his new comedy before the court. But, alas! this time the opinion of the court had changed: without regard for the plaudits of Versailles, the pit of the Paris theatre had hissed "Don César Ursin"; Versailles in its turn, and as if to take its revenge, now hissed "Crispin, Rival de son Maître." We must allow that, for a mind less strong, here was enough to confound a man for ever, and to make him comprehend nothing either as to the success or the failure of his productions. Happily, Le Sage appealed from the public of Versailles to the pit of Paris; and as much as "Crispin, Rival de son Maître" had been hissed at Versailles, so much was this charming comedy applauded at Paris. On this occasion, it was not alone to give the lie to the court, that the pit applauded; Paris had refound, in truth, in this new piece, all the qualities of true comedy,--the wit, the grace, the easy irony, the exhaustless pleasantry, a noble frankness, much biting satire, and a moderate seasoning of love.