Six hundred francs! and when we reflect that had Le Sage lived in our day, depending only on his Théâtre de la Foire, he would have gained thirty thousand francs a year! In our days, a romance like "Gil Blas" would not be worth less than five hundred thousand francs; "Le Diable Boiteux" would have brought him a hundred thousand, at least: still, we must not be angry with M. l'Abbé de Lyonne, for having bestowed a pension of six hundred on the author of "Gil Blas." The abbé did more; he opened to Le Sage an admirable treasure of wit, of imagination, and of poetry; he taught him the Spanish tongue, that lovely and noble instructress of the great Corneille; and it is doubtless no slight honour for the language of Cervantes to have given birth in our land to "The Cid" and to "Gil Blas." You may imagine with what delight Le Sage accepted this instruction, and how perfectly at home he found himself in those elegant and gracious manners; with what good will he studied that smiling gallantry, that loyal jealousy; those duennas in appearance so austere, in reality so accessible; those lovely women, their feet ensatined, their head in the mantilla; those charming mansions, all carved without, and within all silence; those exciting windows, lighted by smiles above, while concerts murmur at their feet! You may imagine if he adopted those lively and coquetish waiting-women, those ingenious and rascally valets, those enormous mantles so favourable to love, those ancient bowers so friendly to its modest blisses! Thus, when he had discovered this new world of poesy, of which he was about to be the Pizarro and the Fernando Cortes, and of which Corneille had been the Christopher Columbus, René le Sage clapped his hands for joy. In his noble pride, he stamped his feet on this enchanted land; he began to read, you may fancy with what delight, that admirable epic, "Don Quixote," which he studied for its grace, its charms, its poetry, its passion; putting for the time aside its satire, and the sarcasm concealed in this splendid drama, as weapons for a later use, when he should attack the financiers. Certainly, the Abbé de Lyonne never dreamt that he was opening to the light this exhaustless mine for the man who was to become the first comic poet of France--since Molière is one of those geniuses apart, of whom all the nations of the earth, all literary ages, claim alike with equal right the honour and the glory.