(_These three subjects are discussed in paragraphs 1-4, 5-7, and 8-16. The plain paragraph numbers are those of the Teubner edition; those in parenthesis are the Creuzer (Didot) edition._)
INTRODUCTION: AS A JOKE, IT MAY BE SAID THAT EVEN PLANTS ASPIRE TO CONTEMPLATION.
1. If as a preliminary pleasantry, we said that all beings, not only reasonable ones, but even the irrational, plants as well as the earth that begets them, aspire to contemplation, and are directed towards that end; that, as a result of the difference existing between them, some really achieve contemplation, while others only accomplish a reflection or image of it, we would no doubt be told that this was an absurd paradox. But as we are here engaged in a private study, we may, as an indulgence, support this paradox. While thus trifling, are we ourselves not actually engaging in contemplation? Besides, it would be not only we, but any who thus trifle, who aspire to contemplation. We might even say that a joking child, as well as a meditating man both aim at reaching contemplation when the former jokes, and the later meditates. Indeed, there is not a single action that does not tend towards contemplation; more or less externalizing it according as it is carried out strictly or freely. In any case its ultimate aim is always contemplation; but of this later.[178]
ENUMERATION OF THE LOWER FORMS OF CONTEMPLATION.
(1). Let us begin by explaining what could be the nature of contemplation (thought) that we attribute to the earth, to the trees, and to the plants (as we promised), and how the things produced and begotten by these beings can be reduced to the actuality of contemplation; how nature, that is usually considered to lack reason and imagination, nevertheless is quite capable of some kind of contemplation, thereby producing all its works, although speaking strictly, it is incapable thereof.
NATURE ACTS ON MATTER NOT MECHANICALLY BUT BY ITS POTENCY.
2. Evidently nature possesses neither hands, nor feet, nor any natural or artificial instrument. For production its only need is a matter on which to work, and which it forms. The works of nature exclude all ideas of mechanical operation; not by any impelling force, nor by using levers nor machines does it produce varied colors, nor draw the outlines of objects. Even the workmen who form wax figures, to whose work the operations of nature are often compared, cannot endue objects with colors without borrowing them from elsewhere. Besides, we must observe that these workmen contain a power which remains immutable, and by the sole means of which they produce their works with their hands. Likewise, nature contains a power which remains immovable as a whole; it has no need of some parts that would remain immovable, and others that move. It is matter alone that undergoes movement, for the forming power is in no way moved. Were the forming power moved, it would no longer be the first motor[179]; the first motor would no longer be nature, but whatever might, in its totality, be immovable.