It was Hyacinth who stopped this time, arrested by something new and natural in the tone of his companion, a simplicity of emotion which he had not hitherto associated with him. He stood there a moment looking up at him, and thinking again what improbable confidences it decidedly appeared to be his lot to receive from gentlefolks. To what quality in himself were they a tribute? The honour was one he could easily dispense with; though as he scrutinised Sholto he found something in his curious light eyes—an expression of cheerfulness not disconnected from veracity—which put him into a less fantastic relation with this jaunty, factitious personage. “Please go on,” he said, in a moment.

“Well, what I mentioned just now is my real and only motive, in anything. The rest is mere gammon and rubbish, to cover it up—or to give myself the change, as the French say.”

The Princess Casamassima — Part 204

“What do you mean by the rest?” asked Hyacinth, thinking of Millicent Henning.

The Princess Casamassima — Part 204

“Oh, all the straw one chews, to cheat one’s appetite; all the rot one dabbles in, because it may lead to something which it never does lead to; all the beastly buncombe (you know) that you and I have heard together in Bloomsbury and that I myself have poured out, damme, with an eloquence worthy of a better cause. Don’t you remember what I have said to you—all as my own opinion—about the impending change of the relations of class with class? Impending fiddlesticks! I believe those that are on top the heap are better than those that are under it, that they mean to stay there, and that if they are not a pack of poltroons they will.”

The Princess Casamassima — Part 204

“You don’t care for the social question, then?” Hyacinth inquired, with an aspect of which he was conscious of the blankness.

“I only took it up because she did. It hasn’t helped me,” Sholto remarked, smiling. “My dear Robinson,” he went on, “there is only one thing I care for in life: to have a look at that woman when I can, and when I can’t, to approach her in the sort of way I’m doing now.”

“Indeed it is; but if it is good enough for me it ought to be good enough for you. What I want you to do is this—to induce her to ask me over to dine.”

“Tell her I’m staying at Bonchester and it would be an act of common humanity.”